Studio Quotes

I never saw myself so much as an actor. I wanted to be a cartoonist like Charles M. Schulz and create my own world and be able to have a studio at home and not commute and be able to be with my family.

I'm doing lots of interviews and stuff. I'm longing for the days of getting up, not having to put on makeup and do my hair and just going to the studio.

I'm glowing in the dark with my studio tan. I've been in a cave of music for months and months and months.

I always feel I could be like Toni Collette, going between big studio things and indie films. That would be feasible.

I was amazed and upset by the looks I got just walking around the studio... It illuminates the ugliness and the beauty that exists within each of us, and that's what this story represents to me.

Could I have worked under a system where there were Draconian controls on my creativity, meaning budget, time, script choices, etc.? Definitely not. I would have fared poorly under the old studio system that guys like Howard Hawks did so well in. I cannot.

When we finish this tour we are going to begin writing and go into the studio to hopefully have a brand new Foreigner album out in early spring next year. This will be the first Foreigner album out in about ten years.

I felt that the studio recording process makes you stand still too long.

I think especially in a world where you have so little say about what goes on in your life, or in the politics of the world around you, it is wonderful to go into that studio, and tell yourself what to do.

I write in the studio.

Then, as now, the Disney studio buzzed with activity. You had a strong impression of being at the center of something very exciting.

Many rock musicians are excellent cooks, I've found, and those that are prefer to eat their own cooking in the studio. I encourage this behavior as I also enjoy the benefits of fresh food.

In a lot of movies, especially big studio ones, they're not constructed in any other way than to get people to like them and then tell their friends. It's a product.

Terry said he had this new kid and his wife didn't want to live in England. He wanted to tour. He hated being in the studio. Terry liked seeing various bars the world over and getting smashed out of his brain. He was a sort of latent Keith Moon.

In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?

You could just do independent movies, but I like bigger kind of studio movies, at least some of them.

You can tell the difference between songs that were created in a garage and songs that were created in the studio.

Some very famous directors have started in the mail room, which is just getting inside the studio, getting to know people, getting to know the routine.

It's nice because success has allowed me to have a blast on stage, to be in the studio with amazing people, but I find it all a bit bizarre.

It wasn't a problem for me drawing humans although I had originally come to the studio with the idea that what I had to offer them was my knowledge in the drawing of animals.

I've been in enough films where the studio wanted that extra little cuteness to make it sellable.

I'm not prejudiced about what type of movies I'm in, what form they take or whether they're studio or independent. I just want to make films that are going to be good. The main reason is not to make money, although at some points it's really difficult when you're broke.

When I was 15, 16, I studied with Stella Adler at the Conservatory of Acting, then I stopped again and went to the Actors Studio when I was 18.

Plus, we spend most of our time writing music. Most of the time is spent in the studio in my house.

I was an original member of the Actors' Studio.

Sometimes I hear a drum groove in my head and I rush down to my studio.

My dad heard of a studio on the radio, and it was advertised as a place for kids to meet kids, and it was actually a studio, and that's where I met my manager and agent.

I used to empty the studio out and throw stuff away. I now don't. There will be a whole series of dead ends that a year or two down the line I'll come back to.

It varies from song to song, although Buck Owens and I recently collaborated on writing a duet together and am looking forward with a great deal of anticipation to recording that track for the new studio album.

It really does take a lot of time to make records, to be in the studio and do all that stuff.