Studio Quotes

And going into my studio at night, particularly at night when everybody's asleep, is just a total pleasure for me.

It's a weird thing when you make records. You try to hear it before you make it, so you walk into the studio with this idea of what you expect to happen, and that usually changes. That usually turns into something else, and that's a good thing.

Today, it's very tempting to create songs by cutting and pasting in the studio.

I have just returned from the dubbing studio where I spoke into a microphone as Severus Snape for absolutely the last time.

And no again: My studio is not a first or any step toward becoming any type of businessman on my part.

My dad and my uncles used to always be in the studio at my house.

Music itself is a great source of relaxation. Parts of it anyway. Working in the studio, that's not relaxing, but playing an instrument that I don't know how to play is unbelievably relaxing, because I don't have any pressure on me.

I lived with them in my studio in New York. And of course if I were doing that book today or even ten years, fifteen years later, I would have gone to where the wild ducks were and where I could study them - I would have gone to the country somewhere.

Singing is something that I'm always happy to do it and going in the studio I never felt any pressure. I just feel like I get to sing, you know. It's fun.

I love to study the many things that grow below the corn stalks and bring them back to the studio to study the color. If one could only catch that true color of nature - the very thought of it drives me mad.

I'm someone who has always been quite clear about what I like. In the studio, I'm not a control freak but I know what I want.

I always wanted to be a full-time musician. Every television job I had was a means to buy a grand piano, or to put in a recording studio, or something like that.

When it comes down to it, it's about who you know, and who's a fan. It's about whether you're the right age, whether you're hot or not, whether the studio is into you or not.

I would also like to act, once in a while, but not get up every morning at 5:30 or six o'clock and pound into the studio and get home at 7:30 or eight o'clock at night, or act over and over and over every night on Broadway, either.

For years it never occurred to me to question the judgment of those in charge at the studio.

Decline III, I funded myself, from the studio money. That, and I sold a lot of drugs. Kidding. Don't print that.

That's why I'm really trying to produce my own stuff. This film was so good, because I produced it myself, and developed it, and made it with New Line, which is a smaller studio, so I was in control of a lot of stuff that I wasn't in control of for my other films.

Recording an album and doing it live are like two different animals. There are some people that are great singers live, horrible in the studio.

By the time The Band did The Last Waltz, the chemistry had changed, and it wasn't a thrill anymore to live that studio kind of life.

The big studio era is from the coming of sound until 1950, until I came in... I came in at a crux in film, which was the end of the studio era and the rise of filmmaking.

I'm hyperactive, and I went in the studio and I would just start making records, for no reason.

I spent two weeks prancing around a studio in Queens in my underwear with nine other guys. They were long days. But what the hell, it was Calvin Klein.

I always used to develop a cold going into the studio.

I live in a very small town and now that I've closed down my studio, I'm working at home.

When you start out as a filmmaker, you do parodies, because you can't really compete on a studio level.

I always admired Walt's optimism. He seemed to know the direction he was going to. When I was at the studio, I remember he kept driving all of us back down to a more fundamental level all the time.

Since this was the first and only series I had ever produced, I was unaware of what the "Normal" environment was for a studio. I tried to run it as I did in my SF studio.

I feel like when I'm on stage, when I'm writing songs, singing songs, I'm in the studio, I'm shooting videos, I kind of get to become this character, and I can make that whatever I want to make that.

I bought a Dutch barge and turned it into a recording studio. My plan was to go to Paris and record rolling down the Seine.

What producers did was mostly recording in the studio, so it never changed our sound just that much.