Quotes By Charlie Kaufman

I've had to deal, a lot, with my own sense of intimidation at meeting famous people - especially actors, but really any famous people.

I tend to not only read reviews, but also every little stupid thing online. It's a very bad idea, and there's a lot of angry people in the world. And it's weird to absorb all that weirdness.

I was trying to figure out what a memory feels like.

In a lot of movies, especially big studio ones, they're not constructed in any other way than to get people to like them and then tell their friends. It's a product.

I'm old enough, by a long shot, to remember going to the library and spending days researching. If I was looking for a line from a poem or something else I needed, that would be the trip I would have to take.

If you create something that is asking for people to respond as they're going to respond, you have to allow them to respond as they're going to respond. Some of the people are going to be uninterested and some people are going to be mad for some reason, which is their business. That's just the way the world is.

I do throw out a lot of ideas, and I forget completely about them.

So when I write characters and situations and relationships, I try to sort of utilize what I know about the world, limited as it is, and what I hear from my friends and see with my relatives.

There's this inherent screenplay structure that everyone seems to be stuck on, this three-act thing. It doesn't really interest me. To me, it's kind of like saying, 'Well, when you do a painting, you always need to have sky here, the person here and the ground here.' Well, you don't.

The way I write is very much without kind of a goal. I have something I'm interested in and then I decide I'm going to explore it. I don't know where the characters are going to go, I don't know what the movie is going to do or what the screenplay is going to do. For me, that's the way to keep it alive.

I'm not into extreme sports or something. I just live a quiet life.

You are what you love. Not what loves you.

I'm interested in trying to explore what I think is the truth at a given time in my life, and part of the process of being honest is - in my mind - talking about the idea that you're watching a movie. You're sitting here watching a movie. And I like that. It appeals to me intellectually, and also in a way I can't even explain.

I don't subscribe to anything. I sit there and I try to think about what seems honest to me.

As a writer, or as a filmmaker, you have to present yourself, and part of what yourself is is what you're interested in, or what you think is funny, or what you think is sad, or what you think is horrible.

I do have some theatrical background. I've written plays and seen plays and read plays. But I also read novels. One thing I don't read is screenplays.

There's theater in life, obviously, and there's life in theater.

My time on the set is the least of my involvement. Most of my time is in pre-production and post-production.

I studied acting at Boston University. I was in the theater department there. Somewhere in there I decided that wasn't what I was going to do and I went to the B.F.A. film program at N.Y.U.

I have a tendency to hire people who tend to be unattractive to the studios. Maybe this is a bad idea.

I've kind of come to the conclusion that what passes for realism in movies has nothing to do with reality and that my stuff is more realistic than that.

I think you just assume that your memory is just sort of a video playback of your experience, but it's nothing like that at all. It's a complete refabrication of an event and a lot of it is made up, because you're filling in spaces.

I want to try it to see what it's like and see what my stuff looks like when I take it from inception to completion.

I do have, at different times, a certain kind of self-consciousness in the world, an insecurity.

I have ideas written down some places, but usually I can't find them. I'm not very organized.

I don't write genre stuff in any form. I'm not interested in it. I always try to do the opposite of that.

I think if something resonates, even if it's surreal, it's because it is relatable and I think that that's a core issue for me.

There's no way to approach anything in an objective way. We're completely subjective; our view of the world is completely controlled by who we are as human beings, as men or women, by our age, our history, our profession, by the state of the world.

The only honest and generous thing for me to do is to give people myself. That's all I've got as an artist, so I want to do that in an unflinching way.

I have a personality that tends to be somewhat compulsive, and I do tend to think in a circular way. I dwell on the same things over and over and I try to figure out different ways of looking at the same issue.