Scene Quotes

I like being behind the scene.

My theory is, if you can do comedy and you can be in a scene with someone like Brad Garrett and hold your own, you've really got a future in this business.

I do readings at the public library. I just did a benefit scene night for my old acting teacher.

The scene was not a happy one yet we looked upon it in the cold stoical spirit of a soldier; a slight chilling pang and then a return soul and body to the enemy before us.

It's been a fascinating thing because we didn't really know how to write when we started South Park at all. It's been like, we've just sort of grown up a bit and it's amazing to just see how, if you take Butters and Cartman and put them in any scene, it works.

He saved the production a tremendous amount. Now they did the scene where Omar is on the horse and he's in the deep snow, they went to Finland to do that. That scene they went to Finland for a week. I wasn't around then.

I see only defects because I'm not following the scene as it were. I'm not following the other person. It's like the best thing to clarify this is the theater.

I don't believe in myths of decline or myths of progress, even as regards the literary scene.

Well we took it apart scene by scene. We examined every sentence, every full stop, every comma. He has a most wonderful eye for detail, Roman, and you know, he's a very good artist.

With Frat House, at times I needed to make music that would reflect what these fraternity brothers might actually listen to, but still keep it within the realm of a score; it still had to lead the viewer through the scene, or just help create the mood.

We filmed one scene on the beach and there was definitely weird energy around, and we were followed around by a white owl to several different locations, and little things like that, or certain mishaps would happen and you'd have to wonder what that was about.

The Florida in my novels is not as seedy as the real Florida. It's hard to stay ahead of the curve. Every time I write a scene that I think is the sickest thing I have ever dreamed up, it is surpassed by something that happens in real life.

But it is true that sometimes an enveloping darkness aids one to clearer vision; as in a panorama building, for example, where the obscurity about the entrance prepares one better for the climax, and gives the scene depicted a more real and vivid appearance.

I love having 30 shots of every scene.

I love getting ready to do a scene, and thinking about it, and talking about it. But the rest of the time, I'm so nervous and obsessed. I'm just tearing my hair out in the trailer. The whole time I'm really tense.

Language cannot describe the scene that followed; the shouts, oaths, frantic gestures, taunts, replies, and little fights; and therefore I shall not attempt it.

Because of the need to remove all modernism, we stayed in the middle of nowhere all day long, living out of tents. It was cold. It definitely set the scene.

You jot down ideas, memories, whatever, concerning your real life that somehow parallels the character you're playing, and you incorporate that in your scene work.

I like working with actresses, and I like women a lot, not for obvious reasons, but just in that that there's so much about what they bring to the scene that keeps it so interesting. Their instincts are so different, and they never explain them to you.

To some extent at that time, we injected rock and roll into that scene- we played loud and that was a huge turning point for that scene. We were involved in playing with all those people.

Woody Allen likes to do a lot of master shots. He likes to get the whole thing in one take, and so you could be going along doing a scene, and then the next to last line, all of a sudden, you stumble, and you have to go back to first base.

Only the change on the international scene, the crisis in the gulf, and the strong, firm position of the United States against aggression between two Arab countries created realities that led to the Madrid Peace Conference.

With fantasy and sci-fi, it's based in a real fandom. You're presenting to experts, and their source material is really important to them. They'll come up and ask: 'so when you turned your head slightly in that scene, what were you thinking?'

I had written in another draft a completely different kind of fight, but they said they couldn't afford to shoot it. They needed a fight scene, though, so I was told to put a fight scene in, but not the one I had written.

You're over there in the corner either thinking about the dead dog or whatever, you're bringing up your personal life and you need the space, and then somebody throws you a joke. Especially if it's an emotional scene, you don't want the joke.

There are some movies I can watch over and over, never get sick of. I'll put one of those on and be puttering around the house. Then a certain scene will come on and I'll just have to go over and watch.

I'm not really into gothic music, it's not really my type of scene but each to their own. I listen to pretty much anything.

If you had told me when I was starting out that I would be coming down to Nashville, kind of weaving in and out of the country scene, I never would've thought that in a million years.

'Boardwalk' has kind of exposed me to a different demographic. And it upped my skills in terms of the speed with which I can prep a scene, and I'm excited to apply that.

Acting with creatures that aren't there is kind like acting with an actor who refuses to come out of his trailer. You still have to go on and do the scene.