Scene Quotes

The Austin music scene is the reason why so many of them moved here.

I have a nervous breakdown in the film and in one scene I get to stand at the top of the stairs waving an empty sherry bottle which is, of course, a typical scene from my daily life, so isn't much of a stretch.

You could do a scene that takes 15 hours, but in the movie, it's only 10 minutes. The scene where they put the sauce poisoning in; it took eight hours.

I was a girly-girl until I moved to New York. Then I got really into the androgynous look of the early-'90s club scene. I had really short hair and started blurring the line a bit. But for me, grade school was about Benetton, Esprit, and Guess jeans.

Even colors were important to me. If it was a somber scene, the colors were muted and dark. If it was a happy or seductive scene, the colors were brighter.

In films, the fact that you can always do a scene again takes a load off your mind, enabling you to strive for perfection, which I always wanted.

I am fascinated by crime scene investigating. I swear, I wish I was a crime scene investigator sometimes!

It was a really interesting time in New York in the late 70s and early 80s, and the music scene was really, really interesting because you didn't have to be a virtuoso to make music, it was more about your desire to express things.

No, we didn't shoot... in the ones that I did there were hardly any sex... there were suggestions of sex scenes but we never actually shot a sex scene as such.

Individually the poor are not too tempting to thieves, for obvious reasons. Mug a banker and you might score a wallet containing a month's rent. Mug a janitor and you will be lucky to get away with bus fare to flee the crime scene.

And in the middle of one of those scenes, I suddenly felt my heart just open: it was overwhelming, to the point where I got teary-eyed. Never would I have thought anything like that could happen in a love scene.

I like acting for myself as a director. I act and I know that I'll have a chance to have some say in what gets used and that I'll be able to give myself enough takes and be on the same page as myself about how the scene should play.

I was a little nervous coming in mostly because my first scene was with Martin Sheen, who I'm a huge fan of.

It's nice that the independent scene is taken seriously, and has been.

I watched a couple of really bad directors work, and I saw how they completely botched it up and missed the visual opportunities of the scene when we had put things in front of them as opportunities. Set pieces, props and so on.

New York had a big influence on me growing up, and I was really part of the club scene - the Mudd Club and Studio 54. When you're living in New York, you are just bombarded with style, trying to figure out how to be cool and how to feel relaxed at the same time.

It didn't matter as much because I'm a singer, not an actress, but my face is more acceptable in a way now than when I first came on the scene, because I'm part black.

Make no mistake about it. These are not 'kookie' birds. Right now the greatest player, the big tent on the political scene in America, is called the Tea Party movement.

I want to give the audience a hint of a scene. No more than that. Give them too much and they won't contribute anything themselves. Give them just a suggestion and you get them working with you. That's what gives the theater meaning: when it becomes a social act.

It's almost better most times to not talk in a scene. I think you can actually express a lot more without words.

My first sex scene - and it was with myself.

I remember secretly going off and crying. All of a sudden I'm being blocked and have to be intimate in a scene, and I'm going, 'I can't even look people in the eye very well. How am I ever going to do this?'

It wasn't so much of a controlled effort to end up as part of the Goth scene.

When you suddenly appear on the scene and you are the new face, everything centers on you. I experienced this in my mid-20s and I found it rather hard.

Science is the greatest creative impulse of our time. It dominates the intellectual scene and forms our lives, not only in the material things which it has given us, but also in that it guides our spirit.

My first real kiss came when I was 10, and it was in an acting class. I had to do a scene from a movie where someone gets kissed under a tree, and I did not want to do it! But my acting partner wanted me to feel comfortable, so he bought a picnic basket with all these snacks. He made such an effort - and it was cute.

In the past I've worked with directors who saw very much their scene in their head and knew exactly how they were going to cut it.

In bed at night, I could be reading some book, and I'll come across a sentence that's totally unrelated to some scene I did years ago. But I'll play the scene back in my mind and think, I did that wrong - I should've opened the door more slowly.

I just wrapped 'Eclipse' yesterday and the last scene we shot is probably my favorite thus far. I finally got to tell my story, in a very gentle yet elaborate way.

I lose tons of stuff on the cutting room floor. For Scary Movie 3, for example, we had a lot of Matrix spoofs, a Hulk scene, and some of that stuff just doesn't hold up - it's too much plot, audiences just didn't want to hear about it.