Theater Quotes

I'm from the theater. I never wanted to be a star.

I'm a total theater junkie - whether I'm working on a stage or sitting in a seat. I am always looking for a great play and a great part to do.

Theater in Chicago will always be my first love. It started careers for me and about 50 of my friends. We all love coming back. As soon as the TV show is over, I'll be back in Chicago, doing live theater.

I work constantly but I work at a lot of different things. You know, I run a theater company in New York, I direct plays, act in plays, in movies, so I try to keep it eclectic.

I started out to be a painter and was born into the theater.

Theater people are always pining and agonizing because they're afraid that they'll be forgotten. And in America they're quite right. They will be.

Theater is there to search for questions. It doesn't give you instructions.

I've always wanted to do theater in Chicago. Chicago is a big theater town-and, in some ways, I think this city is savvier and smarter than New York. Sometimes, I think it's a little too chic to go to theater in New York these days.

I think the cinema you like has more to do with silence, and the theater you like has more to do with language.

I'm such a theater geek.

I had been a kid that moved so much, I didn't have a lot of friends. Theater really represented camaraderie.

Field of Dreams is the only movie - and I saw it in the theater - on an afternoon when I was on location somewhere, and there were like 12 people in the theater. I was just so devastated; I couldn't get out of my seat. And I sat and watched it a second time.

I love working in the theater.

When theater becomes a soothing middle-class thing, when it's packaged as the Night Out, then that's the death of it.

Every week it's another opportunity to really make that work and figure out how to make it work better. And I love that it's like theater, too, and the audience, and it's so short. It's only 20 minutes. It's like a haiku or something.

My background is a small town with no movie theater. So... I always pictured myself onstage. I went to acting school and learned all the skills. I left early because I did my first movie and discovered that I really loved the minimalistic work with the camera.

The theater is the thing I love doing most.

Well, really the way worked was that I had probably built fifty robots before Mystery Science Theater, and I had sold them in a store in Minneapolis in a store called Props, which was kind of a high end gift shop.

Whoever becomes the head of the National Theater finds himself in a position like that of Nelson's Column - pigeons dump on you because you're there.

I loathe bad theater and most theatre is very bad because it's repetitious, unexciting and, dangerously, it is sometimes praised for those things.

I was obsessed with romance. When I was in high school, I saw 'Doctor Zhivago' every day from the day it opened until the day it left the theater.

I came to America to become an architect. And somewhere along the line while I was still in school, I was lured into theater, and that's how I became interested in theater. My first play was something called "A Banquet for the Moon." It was a weird play.

I studied acting at Boston University. I was in the theater department there. Somewhere in there I decided that wasn't what I was going to do and I went to the B.F.A. film program at N.Y.U.

We don't make movies for critics. I've done four movies; there's millions upon millions upon millions of people who've paid to see them. Somebody likes them. My greatest joy is to sit anonymously in a dark theater and watch it with an audience, a paying audience.

When I came back from filming 'Abduction', I told my agent: I'm staying in London now. If it takes doing children's theater from the back of a van in Kilburn, that's OK. I need to be with my family. My job is to keep the family together and provide for them.

I happened to happened to land in a time, in the middle '60s, that without knowing it, and without being told by the history of theater - which we now see from a historical point of view was an explosive time.

In the middle 1940s... I heard everyone live. Painting, the theater; everything was happening. It was an exciting time when New York was the place to be.

The theater needs continual reminders that there is nothing more debasing than the work of those who do well what is not worth doing at all.

Everyone town of 100,000 in the United States should have a Classical Theater supported by the town, or the state of the county, or the Federal Government, as they have in every civilized country.

I'm trying to bring a new generation into the musical theater and to create a new audience.