Shot Quotes

The idea is not to block every shot. The idea is to make your opponent believe that you might block every shot.

So the idea that there is nothing essential, in the sense that there are no human universals, is dogma. Ask most anyone who is going to be shot at dawn.

My skin is hard when it comes to my music. But with my movies, I'm still a virgin in a lot of ways. I'm not used to being shot down for no reason.

There are a lot more shots coming at the net and guys are just shooting it at the net because they have more time and pucks are going in off legs and feet and shoulders and heads, so you might have to play out a little further on the shot and hope it hits you.

All my references are 50 years old-when somebody shot J.R., you know? Oh my god, I'm 100!

My best move is probably my pull up jump shot.

I discovered the 7th art at home when I was kid, through Charlie Chaplin's movies and those of my father who shot documentaries. He was my biggest influence. So I took his camera and started shooting.

Um, 'Soul Food'... Another wonderful little movie that could. Here's a film that, I think our budget was maybe $6 million. We shot it in Chicago in six weeks. I was so proud of the film, because it showed America that an African-American film about family could sell, could do well, could cross over and have true meaning.

Boeing started a new line for their 787 Dreamliner, creating 1,000 new jobs in South Carolina, giving our state a shot in the arm when we truly needed it.

I expected to be shot at any moment and if they had done I would have understood, that they couldn't take risks with someone foolhardy or so unpredictable.

I think making a good film shot is joyful.

I lost money, coaching jobs, a shot at the Hall of Fame.

The realities are that, you know, as a black man, you know, Barack can get shot going to the gas station, you know.

But the two of them together, broke my heart. Olympia and Peter, those scenes... When they're kissing in their 20s and then kissing in their 70s, that's what it is. And they had never met five minutes before they shot those scenes.

I just shot John Lennon.

Most of my images have been done in-studio, under very controlled lighting conditions. There have been a few that have been shot in nature, but even then they were shot almost exclusively at night, and again, under controlled lighting conditions.

I never really looked at myself as a scorer, but if the shot is there, I'm certainly going to take it.

Whenever I catch a chunk of an Adam Sandler comedy on cable, it looks as badly shot and goofily tossed off as a Jerry Lewis gag reel once he hit the late downslide with 'Hardly Working' and 'Cracking Up.'

They also explained how the sensors can monitor the levels of acetone on people's breath, and this can be used to tell people who suffer from diabetes when their next insulin shot is due. This is a more discreet method than what is currently on the market.

Golf is evolving, every day, every shot.

It was just this crazy craziness, and the fact that it was shot in Paris, and it had these incredible people in it. It was an easy thing to say yes to.

Things like that become a blur - shot at some soundstage, somewhere - that's as much as I can remember.

I'd take precision any day over power; as far as being tactical you know you have to see what's going on in there and also understand that for every punch that you or your opponent throws there's always a counter shot or two which you have to be ready to fire or defend.

If you check your ego at the door when it comes to comedy, you've got a pretty good shot at making a great movie that you can commit yourself to, you can jump off the proverbial cliff with, and have a great time, and the audiences respond to that.

For this game, we shot it just like it as if it was a film so there wasn't that much different from doing a film other than some technical things for the costume that had to be done so they could transfer the footage later and make it look animated.

The message that I gave on the - on the steps today was that you need to stand for those things that are right and empower the individual. Believe in the power of one person. Don't believe that you can't do it. Everybody wants - everybody wants a shot. That we can all agree on. Beyond that, it becomes politics. I'm not talking politics.

I think that's the key to being a director: to be able to get the shot and move on quickly.

My cameraman and I devised a method, which we started using from my second film, which applies mainly to day scenes shot in the studio, where we used bounced light instead of direct light. We agreed with this thing of four or five shadows following the actors is dreadful.

When the shot is afterwards subjected to white light, colour appears because of selective reflection.

I am a prince I have it all, and I hear your foot steps on the wall, I wait in silence for your call, and take a shot and watch you fall.