Shot Quotes

Went to 16 and hit a really bad 3 wood for my second shot and got stuck in the bunker about 70 yards from the pin. Poor execution, chunked it, hit a good chip up to about eight feet, missed it.

The world fell apart. Sirhan Sirhan shot Bobby Kennedy. Why were people shooting all the Kennedys? Had the country gone mad?

In the past, when I shot films about fishermen and hunters, I always had to admire their ability to perceive time in its entirety. The present was always temporary.

LeBron James can get a shot off under any and all circumstances and he makes them.

I lived in Vancouver, where they film so many things. So it gave me a good shot at it.

Newlyweds shooting budget: 5k for actors, 2k insurance, 2k food and drink. 9k in the can. We only shot 12 days. That's how to make an independent film.

Were British protesters, armed with little more than a frisbee and a bag of plastic toy soldiers, really in danger of being shot by the US military in Gloucestershire?

Of course I've had a bunch of broken bones, sprains and I've had five or six concussions, with three serious ones. I also got a real heavy duty blood clot and internal bleeding from where I was shot in the stomach with a beanbag bullet that the police use for crowd control. I've also had six stitches in my head.

I have a feeling I'm going to wake up one day and say 'I can't do dirty stuff anymore, I want to go all clean.' I'll do clean stuff too, I like to entertain people. Then they egged me on; we shot it at The Laugh Factory.

I don't want to run around and look at a shot through a monitor. That doesn't improve what I'm trying to do. I figure, once I've done my job, it's none of my business.

I had a hard time with that hockey. I hadn't grown up skating, so that was my biggest challenge. We worked on it and worked on it. But then when we first shot it, it was so hard for me.

Both Plockton and the Isle of Muck in north-west Scotland are incredibly beautiful. Sadly, Plockton has been discovered by tourists because it's where they shot Hamish Macbeth.

I was delighted to have lines when they came - learning lines for film isn't a problem, but television is a little different, because we shot those shows the whole way through.

From 1980 to 1990, I shot more films than any other actor in the Screen Actors Guild, apart from Gene Hackman.

You know how you smoke out a sniper? You send a guy out in the open, and you see if he gets shot. They thought that one up at West Point.

It is only those who have neither fired a shot nor heard the shrieks and groans of the wounded who cry aloud for blood, more vengeance, more desolation. War is hell.

Something like 'Without a Paddle' does really well at the box office and I'm like, 'Oh, here we go.' In 'Without a Paddle' I'm the romantic lead - great! A comedy and that's what America wants. Then it did nothing for me and I went into kind-of a work abyss. I just didn't get another shot.

I'll do whatever it takes to win games, whether it's sitting on a bench waving a towel, handing a cup of water to a teammate, or hitting the game-winning shot.

'Hey Dude' was shot in Arizona, and that took me to the West Coast. We did 65 episodes. It was not a show that a ton of people saw, so it was like doing acting classes and getting paid for it. At that point I had the acting bug. So I went to L.A. to give it a try and never left.

The intention was to shoot short films that can exist as shorts independently, but when I put them all together, there are things that echo through them like the dialogue repeats; the situation is always the same, the way they're shot is very simple and the same.

There was a war crimes trial because an American prisoner had been shot trying to escape. He had obviously been recaptured and shot, and that violated the Geneva Convention.

The sun would come up over the ocean, and we'd be eating scrambled eggs before we shot some stuff. It was a vacation in the sense that it was the best working conditions.

I guess if you're stupid enough to join the army without thinking about getting shot at, then you really are a fool.

I wish I could know everything ever, like that would be my wish - that's what I hope heaven is, that they tell you who shot JFK and all that stuff.

When a scene is being shot, it is very difficult to know what one wants it to say, and even if one does know, there is always a difference between what one has in mind and the result on film.

As far as the leading man/romantic lead, I'll tell you what, I really enjoyed my experience more than I thought or imagined I would on 'Catch and Release.' God bless them if they want to give me another shot at that. I would love to have that as something I can go to on occasion.

My mother was a modern woman with a limited interest in religion. When the sun set and the fast of the Day of Atonement ended, she shot from the synagogue like a rocket to dance the Charleston.

I knew that I wanted to be an actor. Then it became about whether acting wanted me.So, I gave it a shot. It hasn't worked out too bad, so far.

Sometimes the biggest problem is in your head. You've got to believe you can play a shot instead of wondering where your next bad shot is coming from.

Oh yeah - I watched Knife in the Water, saw the shot, and repeated it. But even if I hadn't seen that film, inevitably the camera would've ended up on top of that mast, I mean if you think of it there are only so many dynamic shots on a boat.