Record Quotes

People say, 'How's the record doing?' In the old days you'd say, 'We're at 600,000, it's doing great.' You don't say those things anymore. Those numbers are gone.

I think you have to keep a childlike quality to play music or make a record.

To make a rock'n'roll record, technology is the least important thing.

It was a world that I wanted to record because it was such a miracle visitation to me.

My first record I owned was by Les Paul.

Bananarama were written off from day one. Nobody believed in us but us. We kept having hits despite the record company, despite the press.

Making the record was tons of fun, the most fun I've ever had.

I feel like B sides are always better, no matter whose record it is.

The two records are very different. I guess, on the second record, that's more where I was at. Its not that I'm more well-adjusted or anything, it's just that what I wanted to sing about maybe was more the way I wanted to feel.

I don't know what they're thinking about. Just because someone says, 'I like what you do' or something: They might like it today and tomorrow they might not. I've had that experience with record companies.

If it's a good LP, you'll get that tingle that makes you put it on again no matter what your initial reaction was. On the other hand, if you don't get that tingle, you'd better take it straight down to the record exchange.

I've been trying to do films for years. So I've decided to wait until the next good part comes along and develop a record on my own in the meantime.

We're resolving our differences and we're looking forward to putting out a record next year.

I'm trying to get the record that I made at my birthday party last year, trying to get that out, and the lawyers are diddling around with it and it probably won't be out until next year. I don't know.

The first record I bought with my own money was Rio.

The totality of a record is usually beyond ones ability to imagine when you start working on it, but the component parts are, usually, fairly clear one way or another.

The way to develop self-confidence is to do the thing you fear and get a record of successful experiences behind you.

You're only as good as your last record and you could get dropped.

Slow, Deep And Hard was a great album, even though it was probably our least selling record.

I need to set the record straight for myself.

So, when I got the contract for my album, even though it was an English record, my manager insisted on making sure we would record in Spanish as well, and it worked out really well for me.

It's always push and pull with a record company.

And then, I was thinking of doing a record just like starting with voice, because I did this one song that was just kind of a cappella, and I did it for this art piece I did where people could come and play music to go with a voice.

I'm still shocked when people say, 'You haven't done a studio record in 20 years.' I try to make excuses for it, but the truth is I just wasn't with it.

I played drums on Keith Carradine's first record.

To be on this set today, I feel very blessed for the second chance and for the opportunity, my record company believing in me and everybody here just showing me so much love and support.

I've never kept a record of anything.

I'm sure I'll go back again and record in the digital process.

We've managed to have a long career that is still quite vibrant, yet we've never had to kow-tow to record companies who said we weren't commercial enough.

I think the idea of trying to demonize Governor Romney's going to backfire. Their attempts so far have failed pretty outstandingly and I think at the end of the day, people are going to say, 'what was Obama's record?' Governor Romney's got pro-growth Reaganesque proposals on the table.