Knew Quotes

I knew I wanted to be a journalist ever since I was a teenager. While it is interesting and gratifying to be on the business side and to see how that all works, the main reason I kept a business role here was to protect the editorial integrity of Salon.

I love the song 'El Rey.' And for years, I never knew what the song was totally about. It was something new for me. I'd never sung a song in Spanish before. Then I got the translation and saw what a really cool song it was.

And I began to tell little anecdotes that had happened to me, and people would laugh. And I began to like that, you know. But I knew that, 'cause I'd do that in school, but I wouldn't do it out there in front of all them people.

He that knew all that learning ever writ, Knew only this - that he knew nothing yet.

Even if I knew that tomorrow the world would go to pieces, I would still plant my apple tree.

But I knew that what had happened was an eye-opener not only to the United States but also to Pakistan, who realized that after what has happened on the 11th of September, it was simply impossible to continue to play those games in Afghanistan.

I always knew I'd be in music in some sort of capacity. I didn't know if I'd be successful at it, but I knew I'd be doing something in it. Maybe get a job in a record store. Maybe even play in a band. I never got into this to be a star.

Fonda and Gary Cooper had the best sense of timing of all the actors I knew.

I thought I knew there was a God. I always acknowledged that, but at the same time, I didn't live by those laws.

Elvis Costello had a brand new bag. He was a musician, but he knew all about the attitude part of it.

My career has been different from most people, but I knew what I was not going to do. I knew I was not going to be controlled. I knew there was a price for this, but I did not know there was as large a price as it turned out to be.

I start to feel like I can't maintain the facade any longer, that I may just start to show through. And I wish I knew what was wrong. Maybe something about how stupid my whole life is.

I knew I had to be the best at something, otherwise I would be nothing. I knew I wanted the world to know about Brigitte Bardot.

That was the impetus for me to do music or art, because I knew if I didn't try when I was young, then I would get to be in my 40's and I'd be really unhappy that I hadn't.

Well, before we met I had heard and seen him sing so I knew he was good.

My earliest professional musical experiences were really as a session player, and every day was an adventure. Three sessions a day, every day, and you never knew who you would be working with until you arrived at the studio.

When I did A Soldier's Story, I was very young and green and thought I knew everything-now I know I know everything!

I've had biker clubs reach out to me whenever they knew I was in their city.

And one thing that I always believed and that I knew for certain was that I could never have sustained a personal relationship while I worked this hard, or while I was that driven this intensely by the story.

You knew everybody at all the studios and you saw them often.

Tony knew me both as an athlete and as a person. He cared for me like a father.

We always knew when we took on the issue of violence against women that somehow our opposition would come after us.

I would not take for granted that my personal life - because I knew better than anybody - that it was just a life. It was surprisingly an ordinary life.

I wanted to be a shoe designer, but I never thought it could be a profession. But what was the alternative? Doctor? Too dirty! Air-hostess? Maybe not! Then someone gave me a book on Roger Vivier, and, cheri, instantly I knew that was it!

I never desired to please the rabble. What pleased them, I did not learn; and what I knew was far removed from their understanding.

One of the great privileges of having grown up in a middle-class literary English household, but having gone to school in the front lines in Southeast London, was that I became half-street-urchin and half-good-boy at home. I knew that dichotomy was possible.

I remember Michael dribbling at the top of the key. Everybody knew to just get the hell out of his way.

I knew exactly how I wanted it to play, but you are never sure until you watch the projected images reflect off the screen. That's when you know it worked.

Journalists, especially English journalists, were very cruel to me. They said I only knew three chords when I knew five!

I knew I really made it when my dad saw me in London and after the performance he had no notes to me and just said 'You are doing your own thing and I am proud of you.'