Kind Quotes

As you know, in America there's no rights for the artist, so whatever films I've made kind of belong to the studio, so if they want to remake it they can.

It sort of filtered into their subconscious through motion pictures, but it's an historical secret. This - whatever this is - needs to be studied and, in a kind of definitive way, talked about.

Some people have been kind enough to call me a fine artist. I've always called myself an illustrator. I'm not sure what the difference is. All I know is that whatever type of work I do, I try to give it my very best. Art has been my life.

In a way, you kind of get caught up in whatever image of yourself you think is out there.

I would say this is not negative this is h, a hard part in gymnastics. You can't eat, whatever you want to eat. And what kind of meal you're supposed to have, you can't.

I never walk into the studio and say, I'm going to write a song called... 'X' or called 'Slow Me Down.' I write a ton of lyrics, often the title is somewhere in those 10 pages of... I call it brain vomit. It's kind of like whatever comes out of my head and I'm unabashedly just writing it down.

In earlier times, so many people sang much more. You know as a kid you'd go to some kind of religious training and or summer camp or whatever it was and you'd learn to sing a lot of songs.

Our job as the game creators or developers - the programmers, artists, and whatnot - is that we have to kind of put ourselves in the user's shoes. We try to see what they're seeing, and then make it, and support what we think they might think.

We knew that there was a certain kind of interest in Whale among a genre crowd.

'3:10 to Yuma' was one that I just kept on talking and thinking about after reading it. And I think the reason is because, like in most Westerns, you have the very clear-cut bad-guy/good-guy, however, as the movie progresses, you kind of see that it's a very fine line that divides these two.

The only thing I've kind of missed is finding a really good western that I want to do, because I watched westerns a lot.

With Westerns you have the landscape is important, and it's empty, and only you populate it. When you populate it, you can tell any kind story that Shakespeare told, you can tell in a Western.

No, I don't think about the myth of the West. It's not the kind of thinking I do. That's more suited to people who live in big towns on the West Coast or East Coast, people who stay under a roof, in a room, all the time.

I was born in Manhattan on West 12th. My parents were kind of hippies and they did a home birth.

I was lucky enough to be given books that weren't top sellers; books that were kind of under the radar.

I didn't come from any kind of academic background, but I lived in a college town and I knew people who weren't without pretense. There was this idea in the town that if something was European it would be good.

My early paintings weren't that good - I was very influenced by Francis Bacon. But there was a kind of intensity there. And however influenced they may have been by other people, even my earliest paintings were recognisably my own.

The townspeople outside the reservations had a very superior attitude toward Indians, which was kind of funny, because they weren't very wealthy; they were on the fringes of society themselves.

Well, we certainly weren't making a cartoon show for kids. It was a completely different kind of idea.

It was sort of that in-between area when people don't talk about their personal lives. That's the kind of life I think Kerry would be living now if it weren't for the Lopez character sort of outing her.

Popstars really draws you in. It's fascinating. It's interesting to watch people thrown together in that kind of a situation. Even if the egos weren't involved and they weren't trying to be world famous. It's the Real World, only better.

I guess when you have that one monster season, it's good because you're recognized. If it weren't for that season, not as many people would know about my career. But it also kind of diminishes what I did in other years.

The reason there weren't any, I am surmising, is that a lot of Latin kids, Latino kids, in those days didn't have the money to take those kind of classes.

It's that I wasn't suited to do the kind of comedy that these people were coming to hear - mainstream comedy.

Man has, as it were, become a kind of prosthetic God. When he puts on all his auxiliary organs, he is truly magnificent; but those organs have not grown on him and they still give him much trouble at times.

The brain may be regarded as a kind of parasite of the organism, a pensioner, as it were, who dwells with the body.

The events between 1968 and 1980 were the kind of cornerstone for everything I've been able to do, they gave me the springboard.

The kind of vocal exaggeration that I developed was based on what key songs were in.

In 1996, I was in was in an acoustic kind of rock band, we were called Feeble. We were just playing locally.

There are a few other things that I built when I was at Harvard that were kind of smaller versions of Facebook. One such program was this program called Match. People could enter the different courses that they were taking, and see what other courses would be correlated with the courses they are taking.