Character Quotes

A character who is thought-out is not born, he or she is contrived. A born character is round, a thought-out character is flat.

In the initial season of a show, you're figuring out your character and their life and their background and you're putting together all the chapters of the book.

The interesting thing about Hain is that he's not a very interesting character. He's not fabulously clever. He's not a great policeman. He's not hugely charismatic. I'd describe him as a kind-of Chekhovian character. He's an ordinary bloke, to whom extraordinary things have happened. Which is quite hard to play, I have to say.

True character arises from a deeper well than religion.

Character is a journey, not a destination.

I like good stories. Quality products and character are what's important. Even if the script isn't that strong, if I challenge myself with a great character, I'll go for it.

My character, Rick Spleen, is a what-if version of me, really, where nothing did quite turn out right and everything else is still around the corner.

I think we all suffer from guilt at some point in our lives, but for the most part I never really regret, and I try to always remain positive. Yes, I think that those issues are very interesting to play in a character, and they're prominent issues in life, and I think people can relate to them.

It's hard to be scared if you don't feel for a character, because you don't care if they die or live.

Character is that sum total of moments we can't explain.

I love those preliminary conversations about who a character is. You try on wigs, shoes and clothes. It's preferable when it's not about looking pretty. It can get a little dull to just be cute. We talk about things like, maybe my character can't afford these Christian Louboutins.

I'm called away by particular business - but I leave my character behind me.

What I have in common with the character in 'Truman' is this incredible need to please people. I feel like I want to take care of everyone and I also feel this terrible guilt if I am unable to. And I have felt this way ever since all this success started.

A lot of directors are great and they are fine but you know I think that Harry really takes a special point to really engage the actors and really make it feel like a safe place for them to explore whatever it is they want to explore in whatever scene with their character.

The most important basis of any novel is wanting to be someone else, and this means creating a character.

Sometimes, you start with the drawing and then the gag comes to you in the middle of it. That is when you start working on the solution of the gag, which is composition, placing, equilibrium, and character design.

As an actor, I like to get a bit of momentum going with a character and kind of work a bit quicker. I mean, not crazy-fast, but, you know, five or six pages a day is a nice pace.

After 'Prom Night' I did two movies where I was playing a prostitute. I gravitate towards characters that have some sort of inner turmoil or some sort of character arc. That's the great thing about acting, so many different things and being really diverse in your choices.

In words are seen the state of mind and character and disposition of the speaker.

The thing you do is escape from them by immersing myself in the character you're playing.

I think I came across Cecil Taylor a bit later, in 65 or 66. That really impressed me - Cecil Taylor is an amazing character... Both his music and the way he approaches the instrument are astonishing.

I think books with weak or translucent plots can survive if the character being drawn along the path is rich, interesting and multi-faceted. The opposite is not true.

You can tell alot about a fellow's character by his way of eating jellybeans.

An accent in a way can be an entry into a character.

There starts to be an overlap between you and the character.

Some have said that the power of a Redeemer would depend upon two things: first, upon the richness of the self that was given; and second, upon the depths of the giving. Friend and foe alike are agreed on the question of the character of Jesus Christ.

I was able to work out all sorts of attitudes to style and event and character, all of which affected the way I came to think about my own writing. I believe that all good writers are original.

We're getting rewarded. We don't give up on the play and we show some character at the same time, but there is a long way for us to get to where we want to be.

I was so lucky because what I did in 'Thor' was I built the character from the ground up - the foundations of his spirit, really. He was someone who was born with an expectation that he would one day be a king, born with an entitlement.

In every film, whether it's a fictional character or not, you create an idea of the character and for me I always do a bad impersonation to start with.