Quotes By Tom Hiddleston

Our job is to represent the truth of human nature, whether you're playing a tender love story that's set in a coffee shop or whether you're in 'The Avengers,' which is set in a Manhattan which is exploding.

Actors do tend to get pigeonholed. People want to know who you are so they can put you in a box. It's lovely to be known for such diametrically opposite roles.

The dream is to keep surprising yourself, never mind the audience.

I grew up watching 'Superman.' As a child, when I first learned to dive into a swimming pool, I wasn't diving, I was flying, like Superman. I used to dream of rescuing a girl I had a crush on from a playground bully.

I was so lucky because what I did in 'Thor' was I built the character from the ground up - the foundations of his spirit, really. He was someone who was born with an expectation that he would one day be a king, born with an entitlement.

I'm an eternal realist and the success rate for being an actor is pretty low.

I never like to make plans. It's nice to just hang.

Chris Hemsworth is like Christopher Reeve in that he can do two things: he can wear a big red cape without a shred of self-consciousness. But he's also funny as hell, and he's so sweet. So with all the fish-out-of-water stuff, he's so funny. So he does almost two jobs in a way.

I was informed yesterday that there's a Twitter account for my laugh. Very hard to get used to things like that. Pretty amazing.

Tony Stark in 'Iron Man' helped wider audiences finally embrace the enormous talent of Robert Downey Jr.

It sounds cliched, but superheroes can be lonely, vain, arrogant and proud. Often they overcome these human frailties for the greater good.

It was quite a European war until 1917, when the Americans joined up. They don't have the same sense of the loss of innocence and the cataclysmic loss of life. A whole generation was wiped out.

It's like playing tennis, you play a different rally with different people. Every actor is different and the chemistry between actors is different.

Loki in 'Thor' is the most incredible springboard into a sort of excavation of the darker aspects of human nature. So that was thrilling, coming back knowing that I'd built the boat and now I could set sail into choppier waters.

With any role, you're extending yourself and acting out things that never happened to you.

The thing about playing gods, whether you're playing Thor and Loki or Greco Roman gods or Indian gods or characters in any mythology, the reason that gods were invented was because they were basically larger versions of ourselves.

I don't think anyone, until their soul leaves their body, is past the point of no return.

For myself, for a long time... maybe I felt inauthentic or something, I felt like my voice wasn't worth hearing, and I think everyone's voice is worth hearing. So if you've got something to say, say it from the rooftops.

If you are at a boys' school, especially, there is a level of bravado that you have to keep up otherwise you'll get picked on.

If you play it straight it's funny - the best comedy is always played straight down the middle. The adjustment is understanding from the screenplay that a moment is hilarious.

Heath Ledger's performance in 'The Dark Knight' quite simply changed the game. He raised the bar not just for actors in superhero films, but young actors everywhere; for me. His performance was dark, anarchic, dizzying, free, and totally, thrillingly, dangerous.

Haters never win. I just think that's true about life, because negative energy always costs in the end.

When people don't like themselves very much, they have to make up for it. The classic bully was actually a victim first.

I love the acting community at Cambridge. It's really quite committed and serious, since the days of Derek Jacobi and Ian McKellen right through to Emma Thompson and Hugh Laurie.

Joanna points her camera at a section of society unused to having cameras pointed at it. But I don't know about categorizing them in terms of class; I'm a bit wary of that. My dad is the son of a shipbuilder.

Some of the greatest actors have turned superheroes into a serious business: Michael Keaton and Jack Nicholson in 'Batman'; Ian McKellen and Patrick Stewart, the first venerable knights of the X-Men, who have now passed the baton to Michael Fassbender and James McAvoy.

I thought theater people wouldn't see me if I hadn't trained. I didn't want to just be the Brideshead guy, to spend the rest of my life wearing waistcoats. I got the chance to try everything. Not just Romeos, but pimps and grandfathers and even one role as a woman in a Naomi Wallace play called Slaughter City.

If the Loki in 'Thor' was about a spiritual confusion - 'Who am I? How do I belong in this world?' - the Loki in 'Avengers' is, 'I know exactly who I am, and I'm going to make this world belong to me.'

Ancient societies had anthropomorphic gods: a huge pantheon expanding into centuries of dynastic drama; fathers and sons, martyred heroes, star-crossed lovers, the deaths of kings - stories that taught us of the danger of hubris and the primacy of humility.

I did a production of 'Journey's End,' an RC Sherriff play about World War I, at the Edinburgh Festival. I was 18 and it was the first time that people I knew and loved and respected came up to me after the show and said, 'You know, you could really do this if you wanted to.'