Camera Quotes

The trick is not to become somebody else. You become somebody else when you're in front of a camera or when you're on stage. There are some people who carry it all the time. That, to me, is not acting.

It never occurred to me that I was going to have to talk to a camera. I don't know if I can do this.

When you're in front of the camera, for a small budget or a big budget movie, there's no difference.

So when I became interested in photography and further being inspired by the work that I saw of Ansel and others, it was a natural extension to go back to these places that I knew as a kid and explore them with my camera.

I even agree with the new digital ways of filmmaking, where you don't even have physical film in the camera, but to be honest, I wouldn't want to use it.

I really love sort of classical cinema where people were telling stories with very little dialogue, and people were using the camera in a really interesting way.

I can often tell when drawings are done from photographs, because you can tell what they miss out, what the camera misses out: usually weight and volume - there's a flatness to them.

I still enjoy acting. I love the moment in front of the camera, but it's all the other moments that I don't enjoy. The 'business' aspect of it, the gossip. I really dislike about 99% of what I do, but I like that 1% when I'm on camera.

People ask me to smile for the camera, but somehow it always comes out gloomy.

Working in front of the camera keeps me alive.

You don't just turn on a camera and do a cooking show. If you want to go somewhere with something, you've got to make it look like what it's supposed to look like five years from now.

I'd grab the camera and tell people what to do, and when I was 14, someone told me that it was called directing.

It's an incredible privilege for an actor to look into the camera. It's like looking right into the heart of the film, and you can't take that lightly.

When I over-prepare, I try to let it all go and forget all about it when the camera rolls, so I can just be present with the other actors and allow what's going to happen to happen without too much preconception.

When I first began, the technicians, camera and makeup men made me feel so self-conscious that I began to have the biggest inferiority complex about my looks.

The possibility of being as free with the camera as we are with the pen is a fantastic prospect for the creative life of the 21st century.

The film of tomorrow will not be directed by civil servants of the camera, but by artists for whom shooting a film constitutes a wonderful and thrilling adventure.

I know I have the ability to do so much more than just stand in front of the camera the rest of my life.

Everything seems really simple on paper until you take a camera out of the box.

The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt.

I can zero in on subtle things because I'm holding the camera.

We had the guys from X Men 2 do the cameras. They had a 360 camera that would go from one car, up in the air and over to another car in a continuous shot while the film was still rolling, going 90 mph.

I don't like to move the camera that much anyway.

I remember hearing someone say that good acting is more about taking off a mask than putting one on, and in movie acting, certainly that's true. With the camera so close, you can see right down into your soul, hopefully. So being able to do that in a way is terrifying, and in another way, truly liberating. And I like that about it.

I think the digital camera would record that information too fast for me.

When we were doing 'Freaks and Geeks', I didn't quite understand how movies and TV worked, and I would improvise even if the camera wasn't on me. I thought I was helping the other actors by keeping them on their toes, but nobody appreciated it when I would trip them up. So I was improvising a little bit back then, but not in a productive way.

I grew up in the '60s, which was a creative time, so it wasn't that big of a stretch to go from a baseball bat to a guitar to a film camera.

In the next shot the cameras zoomed to the fiancee who noticed the lights in the Czarina's room go out and the camera then turned to the pond where two goldfish were making love.

I'm much happier behind the camera.

My main camera is a Nikon D3. I use a French camera from the 1800s for wet plate photography, I use a Hasselblad sometimes. But to me the camera really doesn't matter that much. I don't have a preference for film or digital.