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Going to Nashville to meet the in-laws was the first time when I'd been in America and not been seen as some sort of eccentric character with a cute accent.

Then if your movie clicks with real audiences, you'll be sucked into some sort of Hollywood orbit. It's a devil of a place where the only religion that really counts is box office.

You sort of start thinking anything's possible if you've got enough nerve.

Well, you know, I have always had an issue with the whole weight thing with people in general because I happen to love how big women look. I mean, it's all a perspective. It's all an opinion, and I think sort of the Rubenesque, voluptuous body is a lot sexier than the boney bag of bones with fake everything.

When you're really close to someone, they can make fun of you a lot and get away with it. But they sort of poke you in all of the right places.

This sort of encouragement is vital for any writer. And lastly the publication of Touching the Flame, which was on hold for two years and went through a few publishers before finding a stable home.

I have this certain vision of the way I want my comics to look; this sort of photographic realism, but with a certain abstraction that comics can give. It's kind of a fine line.

Even though you were radiated doesn't mean you get to have that sort of power.

I haven't any sort of plans for the future but I reckon things will work out in some manner.

As much as I long for a sort of security and consistency sometimes, I do enjoy sort of being busted around. I really don't know what's happening sometimes next week, let alone this year.

A prohibitionist is the sort of man one couldn't care to drink with, even if he drank.

I just sort of go along and say what I think -and that's all you can do in life, really.

Within a lot of African-American households, I think, there's an idea that black men don't want to take an active participation in the lives of their children. That if they do, there has to be some sort of ulterior motive.

I do feel very strongly that this is one of the things which people need encouragement to sort out, because I have this very strong feeling that everybody is probably a genius at something, it's just a question of finding this.

It's sort of a mental attitude about critical thinking and curiosity. It's about mindset of looking at the world in a playful and curious and creative way.

So I turned these sort of deficiencies into a, a workable thing if you understand what I mean.

I am one of 40 grandchildren. What bothers me about the whole trust-fund thing is that it sort of presumes that everything is handed to you. And if there is one thing about my family that I do identify with, it is that everyone is extremely hardworking.

Apathy is a sort of living oblivion.

I never want to sort of put all the cards on the table all at once, because that's somehow there's always a journey to go on. There's always something to be revealed, in my mind, about characters.

I sort of always had an inkling towards some kind of an art form. I grew up in a very small town, and I just figure-skated. My dad played hockey and I was surrounded by sports, but it wasn't quite doing it for me. I wasn't totally fulfilled, and I did a lot of skating.

So on my screenplay, on the left-hand side of the page, I will put all the ideas that refer to the scene next to it so I have some sort of pictorial reference.

The only way to find that territory is trying to keep your mind constantly open. That's the only way that you're ever going to see the sort of signs of where to go.

There were a few years there when I was just so enamored with the idea of living some sort of famous person's lifestyle that really isn't suited to me.

I hate the idea of getting in a building that someone else has designed and having to do something to it yourself to sort of dress it up - it's like using presets in your tracks.

That's a difficult question, because to consider yourself a rebel is sort of ridiculous.

I was never any good at cricket thought I love it as a, as a sort of mystery.

When I was at school at Paris, I had special lessons from Mademoiselle Antoine, an actress at the Comedie Francaise, and I was taken to every sort of play. I felt very grand.

I just have this sort of entrepreneurial spirit and I work really hard at promoting myself.

Anybody can write music of a sort. But touching the public heart is quite another thing.

London is a small place, and it is very incestuous. People know where you live. Everybody is sort of on top of each other.