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But I'm the sort of person who, if certain structures topple, it could all go horribly wrong.

But when I disappeared, it sort of pissed me off, that guys get to go on being sexual until they're seventy or eighty, and we disappear at forty-five or fifty.

I sort of understood that when I first started: that you shouldn't repeat a success. Very often you're going to, and maybe the first time you do, it works. And you love it. But then you're trapped.

People sort of know me for that solo piano music I did.

I seem to be some sort of lightning rod. I just really irritate people, you know? I really do.

Working out, for me, is sort of a meditation.

Our show is less about a girl who is doing miracles and more about the domino effect of this girl's life, and how everyone else is affected. Our show seems to be a questioning show as opposed to an action sort of fairy tale.

You know, bad poetry I wrote in high school can still be found on the Internet, and, you know, there's a Web log of our college newspaper. You know, there's so many different stages of my creative development are sort of on-record if somebody were to choose to look for them.

There is no single field of activity, not a single institution, free of the most brutal sort of corruption. Russia has bred a world-class mafia.

I sort of feel like music saved my life when I was young. This is the one thing that I knew I was good at.

You respect all of these people that you know in the business as actors. And they sort of turn around and say, we really like your work. It's a nice acknowledgment.

I must confess that my imagination refuses to see any sort of submarine doing anything but suffocating its crew and floundering at sea.

I'd retired for about six or seven years. Coming back to the business, I found that I was sort of not quite a has-been, and it wasn't a new career, it was just kind of difficult to crack the nut, so to speak.

I know the activists I deal with, we sort of try and check each other to make sure that we haven't gone native, that you come to Washington thinking it's a cesspool, you don't want to end up thinking it's really a hot tub and getting used to it. So that's something one has to keep an eye on all the time.

It is much more important to know what sort of a patient has a disease than what sort of a disease a patient has.

Tall, sandy blonde, with sort of blue eyes, skinny in places, fat in others. An average gal.

There's a challenge to playing these fantasy figures because they are fantasy figures. You have to enter into this sort of imaginative world of the writer.

I think it's a great document of John Stevens' originality. At that time he was already much more fully formed in his conception than I was. I was sort of struggling to keep up, and sometimes it's pretty obvious.

He was always sort of a scrappy little kid wasn't he? A bit of a fighter?

It's sort of what the Johnny and Devi stories are about, the idea of always being a slave to something.

In Australia, they set up a special fund to kick films off. It was quite an enlightened sort of move. You could go to this government bureau with scripts and and get finance for films.

With Crazy Horse, it's all one big, growing, smoldering sound, and I'm part of it. It's like gliding, or some sort of natural surfing.

Maybe I'm sort of like the players - there's still a lot of little boy in me.

I'm a layperson. I barely got out of high school. I have no business telling people what to do or my big philosophy on life. I'm certainly not going to write any sort of memoir.

I like to think that I'm a sort of poet for our times.

I think up until that time a lot of focus on Internet coverage was either sort of the bits and bytes aspect of it, sort of the high-tech aspect of it, and the sociological aspect of it, which is how it was transforming culture.

I hadn't made a big-budget film, and in Hollywood there's a sort of man and boys situation. You're a man, you make $80 million movies! As if it's harder to make an $80 million movie. Well, I guess businesswise it is because you have more executives to argue with.

I think Stalin was afraid of Roosevelt. Whenever Roosevelt spoke, he sort of watched him with a certain awe. He was afraid of Roosevelt's influence in the world.

But the Air Force was sort of a bastard child of the Army, much like the Marines with the Navy. Everything had to be done over by the Army after it had already been done by the Air Corps, a mess.

I'm the sort of person who keeps a lot to myself.