Shooting Quotes

And I love shooting football.

TV is so different from the movies. It takes a lot of stamina because you work such long hours. It is really challenging. You are learning the next day's lines while you are shooting today's scenes. I found courage I never realised I had. I hope to do more.

And shooting things in a documentary style was a good way to create tension and energy without money.

I was in Deadwood at the time and on hearing of the killing made my way at once to the scene of the shooting and found that my friend had been killed by McCall.

Same thing with film, by the time you've finished shooting and you've really been into everything, you've touched up everything in the editing room. You've gone in there and taken little bits from everything.

I remember seeing Bill Hurt in New York once. I talked to him on the phone around 1988 and that's about it. I was shooting in New York and somebody said Glenn Close came by the set.

I'm shooting a pilot based on my show. It's a one-camera show. I play myself.

David Duchovny is a dream; a dreamboat and a dream. He was so kind... He held my hand after we were done shooting and told me I did great. He's so good at what he does.

I understand the protests, but not the shooting and the attempts to bring down the state. We cannot allow hatred to control our lives. We must remain unified to defeat this evil.

My Soul to Keep is the ultimate love story with a black man and a black woman. I call it the ultimate love story. It's about an immortal. We're shooting for this Fall and that's been a six year development right there.

I can't really envision a time when I'm not shooting something.

After six, seven films, I started to get a little tired. Shooting takes a lot out of you.

The director took my face in his hands and asked me to show him my teeth, as with a horse. This happened on a Wednesday, and by the following Monday I was shooting.

A lot of the motivation for doing the 'Make 'Em Laugh' on SNL was because I had just finished shooting 'Inception,' where there were zero-gravity scenes and I got into really good shape and was training and did all these stunts. Coming off of that, that instilled me with the confidence to do 'Make 'Em Laugh.'

We're shooting for the title of hardest-working band in America.

I'm happy riding horses and getting out shooting my gun, things like that.

I don't really know Hollywood, but living and shooting in L.A. was very motivating, inspiring. The lights, the extras, their American faces, the energy, the Orpheum Theatre. It was all very inspiring.

From the first moment on the set I was consumed with curiousity about the technical side of shooting a sound picture.

There's a period just before you start a movie when you start thinking, I don't know what in the world I'm going to do. It's free-floating anxiety. In my case, though, this is over by lunch the first day of shooting.

No, I think I used to be pretty superstitious about certain things, but I'm really not anymore. As long as I have everything is in order and I have my things as far as the match goes, shooting I'm fine. But I really don't.

I am not going to die, I'm going home like a shooting star.

If someone suddenly lost their director the day before shooting and wanted me to step in, I'd be willing to. But I'd do brain surgery the same way. I'm always up for something new.

Whenever there is news of a terrible shooting, I wonder why America has so miserably failed to enact even common-sense gun legislation.

The big difference is the size of the crew and the flexibility of shooting because of the size. I mean, it's crazy. So you can't improvise, you cannot suddenly do something that comes to mind, whereas in a small production you have much more flexibility.

When I'm shooting a film, I don't look at playback. I don't go and do a scene and then hurry up and watch what I just did. I never look at it so I haven't seen any of it.

We would get 20 different angles and then cut them all together. That's what I called it at the time - the 'cubistic' treatment of shooting football. It was the same thing Picasso did except we did it with a football play. It's taking a single image and looking at it from multiple perspectives.

I just had my 30th birthday and we went turkey shooting. It's what I wanted to do, so we went.

The Industry's at war. I think it's about control. You can make all of the financial arguments that the industry has been shooting itself in the foot, but it is an industry built on a foundation of ownership and exploitation of intellectual property rights.

I didn't get to see Predator until halfway through shooting. It was great to get an education while I was shooting because it made me excited to be part of this legacy.

The last day of shooting, there were tears. It was this family that's grown together over the years. Many of us have worked on it since the beginning, so there's a sadness when we all go our separate ways.