Scene Quotes

Piper insisted she had to be out of breath when we played this one scene, so she ran around the block. Thank God she wasn't doing a crucifixtion scene; we would have had to nail her to the wall.

The first time I ever screamed at someone was in a scene, and I'd never screamed at someone in my life.

The international proletariat first appeared on the scene in the early Thirties of the nineteenth century, and its first great action was the French Revolution of 1848.

If I've still got my pants on in the second scene, I think they've sent me the wrong script.

The world's a scene of changes, and to be constant, in nature were inconstancy.

When it comes time to write the book itself I'll shut the lights out, picture the scene I'm about to write then close my eyes and go at it. Yes, I can touch type.

My background with Cummings was rehearse, rehearse, rehearse, but Tuesday liked to walk in and do the scene. I must say that she was really wonderful. Aggravating, but wonderful.

It feels so great to be back on the scene.

They did offer me a chance of being a V in the crowd, but it's not my scene. I think they just thought it would be fun for me to do that, but I don't know. I heard that Stan Lee appears in every movie of his.

The memory of that scene for me is like a frame of film forever frozen at that moment: the red carpet, the green lawn, the white house, the leaden sky. The new president and his first lady.

I really want to do a book on the history of the no-wave music scene in New York, how it extended out and formed lots of other things. It was such a great visual culture.

That is what has happened to the United States in the international economic scene. We have deteriorated into a debtor status so that we are now dependent upon the kindness of strangers. That is not where the world's leading power should find itself.

He also didn't like a lock of my hair and said that he couldn't get into the moment without the hair being just right. I quietly knew that he was anxious and that the hairdo wasn't the real issue. But we all let it go and came back to the scene sometime later.

I am fascinated by crime scene investigating. I swear, I wish I was a crime scene investigator sometimes!

I don't see a candidate on the scene right now, but it is going to have to be a candidate that people can look at as a leader and not as a man or a woman.

I think part of that is to create an environment where it's like real life, where you don't really know what's going to happen to you in a certain scene.

If a comic comes out on the scene and it's really knock-out brilliant, the community is pretty good about getting the word about good newcomers.

I was grateful to have two weeks to shoot this one scene in Harry Potter. It's a big, big scene, but they have to deliver. And they have high expectations.

I don't do the L.A. scene. I stay focused and very myopic. I don't feel I need to prove myself or be in people's faces, especially in this town.

Tom Arnold and I, we have a huge firefight scene on top of a German tank. I get to shoot 50 caliber rounds. We shoot a helicopter out of the sky. That's the only fight I'm in.

I'm always going to get more of a charge playing Chicago than I will Duluth or some place like that. Just because of the history and the people there are way more knowledgeable than a lot of other cities. It's an amazing music scene with some great bands and great musicians.

I have no memory for what happens in what books. I don't know when I might remember a scene, but beats me what book it's in because there are 14 of them now.

When it's a love scene with someone you actually love, there's no feeling like, 'Can I touch him here? Can I touch him there?' You know what your boundaries are - or what they aren't, I suppose.

I don't get very involved in the L.A. scene. When you do get invited out, you are expected to be on all the time. It's just wearying.

Julie Dryfus and I were both afraid of heights and in one scene, I had to be quite high up and I was rather terrified, but Julie was very kind, encouraging me and we got through that together.

I do admit to being challenging, but it's always for the work, it's never personal. I will walk out on a scene if it's all lit and ready to go but it's not happening.

The only dangerous scene is when James Cromwell put a stake in my chest. But other than that, it turned out to be quite a punch. I didn't think much of it.

Sorry I had to be so nasty to you Janina, at the end of a scene.

I remember in 'Pride and Prejudice' I had to do a scene where I broke down. And before we filmed I spent like three hours imagining my mum's funeral. Actually, she's very much alive, happy and healthy. It was really horrible.

First, you do a piece of material that begins and ends and has a flow; it's not chopped up as in a film, where in an extreme case you might be doing the last scene of the script the first day that you go to work, and you don't know enough about the character you're playing.