Scene Quotes

I don't see a candidate on the scene right now, but it is going to have to be a candidate that people can look at as a leader and not as a man or a woman.

I think part of that is to create an environment where it's like real life, where you don't really know what's going to happen to you in a certain scene.

If a comic comes out on the scene and it's really knock-out brilliant, the community is pretty good about getting the word about good newcomers.

I was grateful to have two weeks to shoot this one scene in Harry Potter. It's a big, big scene, but they have to deliver. And they have high expectations.

I don't do the L.A. scene. I stay focused and very myopic. I don't feel I need to prove myself or be in people's faces, especially in this town.

Tom Arnold and I, we have a huge firefight scene on top of a German tank. I get to shoot 50 caliber rounds. We shoot a helicopter out of the sky. That's the only fight I'm in.

I'm always going to get more of a charge playing Chicago than I will Duluth or some place like that. Just because of the history and the people there are way more knowledgeable than a lot of other cities. It's an amazing music scene with some great bands and great musicians.

I have no memory for what happens in what books. I don't know when I might remember a scene, but beats me what book it's in because there are 14 of them now.

When it's a love scene with someone you actually love, there's no feeling like, 'Can I touch him here? Can I touch him there?' You know what your boundaries are - or what they aren't, I suppose.

I don't get very involved in the L.A. scene. When you do get invited out, you are expected to be on all the time. It's just wearying.

Julie Dryfus and I were both afraid of heights and in one scene, I had to be quite high up and I was rather terrified, but Julie was very kind, encouraging me and we got through that together.

I do admit to being challenging, but it's always for the work, it's never personal. I will walk out on a scene if it's all lit and ready to go but it's not happening.

The only dangerous scene is when James Cromwell put a stake in my chest. But other than that, it turned out to be quite a punch. I didn't think much of it.

Sorry I had to be so nasty to you Janina, at the end of a scene.

I remember in 'Pride and Prejudice' I had to do a scene where I broke down. And before we filmed I spent like three hours imagining my mum's funeral. Actually, she's very much alive, happy and healthy. It was really horrible.

First, you do a piece of material that begins and ends and has a flow; it's not chopped up as in a film, where in an extreme case you might be doing the last scene of the script the first day that you go to work, and you don't know enough about the character you're playing.

In 10 different takes, you can do a scene 10 different ways.

In my last scene in 'Breaking Dawn,' Bella has just died and I run outside and crumple to the ground and just lose it. I'm bawling. That was my last scene of 'Twilight' ever and I definitely had some extra motivation.

And you can't hide in a comedy scene either. You have to give in to the scene and commit.

I must confess I knew very little about the trance scene, I'm more house and commercial dance but it was really interesting and different.

What I particularly liked was that, coming from California and not being involved in the New York scene, I developed my personal way, in my own way, at my own pace.

I think as long as there are folks on the fringe who want to make movies, the indie scene will still be around. I do think it's getting harder to get them seen though.

So many times you see beautiful lovemaking scenes with a lot of exposure or an awkward lovemaking scene, but I think it's very rare that you see it private.

Yes, and there were changes of light on landscapes and changes of direction of the wind and the force of the wind and weather. That whole scene is too important in Homer to neglect.

Like with Berle, he was always trying to steal the scene, get a little extra.

When I was an art student in the early 60's before the acid scene began I was smoking pot just like anyone else who was an artist.

Actually, I didn't like Dartmouth very much, but the whole theater scene I really liked.

Bore children, and they stop reading. There's no room for self-indulgence or showing off or setting the scene.

If you're sitting in the audience, you probably can't see the preparation and work that goes into creating a great scene or a great part, but I can assure you that a good film depends on lot of different things falling perfectly into place.

Usually when I read something, first of all I'm looking for the story and then when I reread it, I'm sort of checking every part of it to see if every scene is necessary.