Records Quotes

Yeah; I'm a much better blues player than anybody knows, but being in the kind of group I'm in, we were always trying to make popular records.

China's got a billion people and a hit record over there is a million records. You know that ain't right.

You can sell millions of records, be showered with all this love and admiration and still feel despised and unwanted. That's what I felt. I've made a lot of mistakes I'm not proud of.

By providing our school districts with direct access to criminal information records, we can help ensure timely and complete information on prospective school employees.

Films and gramophone records, music, books and buildings show clearly how vigorously a man's life and work go on after his "death," whether we feel it or not, whether we are aware of the individual names or not. There is no such thing as death according to our view!

All I want to do is sing on other people's records.

I look in music magazines now and see things on Luther Allison, and my name's getting out there more, thanks to all the good people at Alligator Records and at my management company.

If the record was picked up by Dot Records, I would imagine that they would have wanted both sides of the record to be something by Lou alone which would account for the dropping of "So Blue".

I think rock records tend to be very expensive.

When I put out a record or single I don't allow myself to set up expectations like, 'This song must be a number one hit. Its got to sell X amount of records.'

Well that's true, and what is actually happening now is that there are accusations that those records contain conspiratorial information that has been concealed from the American people and that is a dangerous situation that just cannot be tolerated.

People always say 'Etta, you know what your problem is? You're neither fish nor fowl. There is no place to rack you.' When I would go in a record shop, you might find one or two records by me in different stacks.

I'm content with making records, but I don't want to be doing the same thing all the time.

I love the idea of making records that people can use, records that have a sense of utility.

I don't release records to be anything but enjoyable.

When people pay to see you live, they connect with you on a much deeper level than people who just buy your records.

When it all started, record companies - and there were many of them, and this was a good thing - were run by people who loved records, people like Ahmet Ertegun, who ran Atlantic Records, who were record collectors. They got in it because they loved music.

But I remember we sold nearly 18,000 records in one day.

Bob Dylan's first couple of records in the 60's weren't considered cover records, but he only wrote one or two original songs on each album.

We have never really had absolute privacy with our records or our electronic communications - government agencies have always been able to gain access with appropriate court orders.

One of my first records that I heard was 'Wish You Were Here' by Pink Floyd.

The house is in turmoil with records on every space. In the kitchen and in the dining room is covered with records. I don't have a big enough house to accommodate everything.

I love country music, blues, and punk, and one day I might make those kinds of records.

This is a very screwed-up business. Record labels don't sign a lot of bands these days. We just want to find a home and stay there and make records and do our thing and not have to look over our shoulder.

Once you start collecting records you learn more and more about jazz and blues.

I can't immediately get all this coverage when my record comes out. The way I sell gold and platinum records is by being on the road.

I like records that flow really well and you don't have to skip around because there's lot of different jumps.

The music industry is saying, This is the format, and if you'll fit into this format, you can be on radio, and if radio will play you, MTV will expose you, and MTV will expose you, we'll sell records.

I also hope that with the assistance and expertise of Dome Records, that I will be able to further pierce the UK and European market. I really like playing there and I want to do more! I've found that the audiences get quite involved and really listen to what's happening.

It's so different now coming out as a new artist today than it was when I came out almost ten years ago. Now, it's all about singles, it's really quick, it's online. I came out when people sold records and they still do today but - I don't know what the key is.