Recording Quotes

I have done a bit of recording and the songs are available on iTunes, and I've got some nice comments. It's something I enjoy doing, but I'm not looking for a singing career any time soon. As long as one person gets enjoyment out of it, I'm happy to make it available.

I am recording my first CD in Spanish and preparing myself for the next stage of my career.

I've never been ambitious about recording.

I'm involved with Recording Artists and Actors Against Drunk Driving. I'm also involved with most children's causes, because children can't help the environment they're in.

The room is the most important thing about recording.

And, you know, I think the original recording of Ravel's Bolero, probably whoever played percussion on that, will never have It played better than that.

I began both auditioning with Pearl Jam and recording for Eleven. In the fall of 1994, I joined Pearl Jam.

I'm quite proud of my piano playing. Robin's never played a note on the piano at our recording sessions. I just wish I could be appreciated musically now.

I just stroll in right before the recording goes on.

There's the soundtrack to The French Connection II'I think It's my favorite soundtrack. It hasn't been released. I actually had to go and get the film and just make a recording of it to get the music.

About two months into the Whisky, I borrowed some money and rented a remote recording truck.

You can alter movie singing so much because you go into the recording studio and, just technology for recording has gotten so good, you can hold out a note and they can combine a note from take 2 and a note from take 8.

I met the Colonel when Elvis was recording some song I'd written for one of his movies. Elvis was just having fun with the gang and all the Memphis boys and Colonel Parker was sitting over here in like a theater seat.

What producers did was mostly recording in the studio, so it never changed our sound just that much.

Somehow, magically, I've become an electronic musician, and I have a recording studio that looks like the bridge of the Enterprise.

I always knew that we were going to be successful and accomplish and succeed at our dreams. There was never a doubt in my mind. When we were recording 'Appetite For Destruction,' we all knew.

I wanted to get my recording and become a musician again, work; with other people, do that kind of thing because I kind of got away from that for a while once we started happening, you know, selling records, sold out concerts.

Of all liars the most arrogant are biographers: those who would have us believe, having surveyed a few boxes full of letters, diaries, bank statements and photographs, that they can play at the recording angel and tell the whole truth about another human life.

Today's recording techniques would have been regarded as science fiction forty years ago.

It's nice to be in a creative world that's kind of isolated, but you can get led astray down some pathway while you're recording that you might not like later. And there's a lot of time to get in your own head and stay there.

It is not that I don't like contemporary country music because I do. I love it. I have recorded a lot and have had great success recording records that have not been very traditional country records.

I just fell into the Dylanesque idea of recording. He is real fast.

My son Wesley has just turned 13. He was 12 during the recording of this record and he is quite a drummer already and has been studying drums since he was four, but he's also very interested in African percussion and studies percussion.

I think as long as people are around and can hear a record and hear people like Lester Young on a recording, there will always be a great inspiration for somebody to try to create jazz.

I have been recording for five decades now.

My approach to recording and all that is pretty organic. It just has to do with all the songs I wrote; go in and record them.

When I had my daughter, Louisanna, two and a half years ago, I started recording every funny or sweet thing she said or did on my phone.

We listened to a lot of Rolling Stones and Beatles records when we were recording. They were really good at not playing loud, but generating really big sounds out of everything.