Radio Quotes

When I was very small, maybe 8 years old, we had a big radio that stood on four legs, and it had a cross piece underneath it, and I used to take a pillow and crawl under the radio.

Kazan was an old friend, I met him in 1938. He picked up radio jobs for eating money, so I met him on a couple of radio shows. Later on I was in a play he directed.

The film itself involves a New York City radio storyteller, Gabriel Noone, who strikes up a friendship with one of his fans, an abused 14-year-old teenager who is suffering from AIDS, who does not have much longer to live.

If you are interested in ideas, radio is way more pure than television. You're not distracted by somebody's nose or hair or posture. You can really see how someone thinks and penetrate to the essence of who that person is.

In '48 when I left Metro, I tried to go back to radio, but somehow just didn't do well at it.

But I never had that commercial opportunity to be played on the radio, so how could I be popular?

I learned the power of radio watching Eleanor Roosevelt do her show. I used to go up to Hyde Park and hold her papers. I was just a messenger, but it planted the bug of radio in me.

All India radio was worldwide.

And then it was working with Bob Hoskins, who I had never worked with before - except radio. It was like being given a wonderful meal - full of the things you love most.

What's different now is that while political leaders used to give talking points to talk radio, now talk-radio hosts are giving talking points to political leaders. It's all part of the suffocating spin cycle we're in. In media, politics and publishing, the conventional wisdom is to play to this base.

I have heard Mr. Romney's speech's many times on television and the radio and I have even read his book No Apology: The Case for American Greatness and I must say that out of all the gentleman running for the presidency Mr. Romney is, in my opinion, the best one to fit the bill.

Gossip is the Devil's radio.

As a new artist there's always outside influences trying to tell you how to make a song better for radio and how to do your hair.

Because Chicago was to radio what Hollywood was to films and Broadway was to the theatre: it was the hub of radio.

I think of the Replacements only when they're brought up to me. For two years, I'm at home, they don't really cross my mind. I still hear them on the radio. I'm not ashamed of anything we did.

I started radio in 1950 on the Lone Ranger radio program, a dramatic show that emanated from Detroit when I was 18 years old and just beginning college. I did that for a couple of years.

I literally get up and get to do the one thing I dreamed about doing every day. And that is being a part of a television show and a radio show that is based in Hollywood.

I've been a radio and television news person since I was 19 years old. I'm 57 years old now. But the advantage is that I have studied, investigated, and reported over those years on nearly every major story from wars and recessions to grass roots local issues.

I remember a great America where we made everything. There was a time when the only thing you got from Japan was a really bad cheap transistor radio that some aunt gave you for Christmas.

With the exception of the New York Times, Fox news, and Lou Dobbs of CNN, and talk radio, the rest of the mainstream media has basically been silenced like a bunch of dumb monkeys.

So there was a way for you to get promoted and survive as an artist without worrying about AM radio hits.

I worked on the United Parcel Service truck, I sold home delivery of milk. But always, in the back of my mind, I wanted to get into radio.

I'm always struck by the kids who turn up in New York and LA, and places in between. Chicago. Wanting to do theater, wanting to do independent film. Wanting to break into television or radio.

In those days, boxing was very glamorous and romantic. You listened to fights on the radio, and a good announcer made it seem like a contest between gladiators.

Local television is a slightly different story. It is under much more pressure in the same way that all local businesses are, whether that's a local newspaper, local radio or local television. But I think television in the aggregate is actually in very good shape.

But in those days - in the mid-'50s, early '60s - there was less than 300 radio stations that were playing country music and a lot of that wasn't full time.

It was darn nigh impossible for women in rock in the '70s. There wasn't a mold if you were a woman and you were in the entertainment in the '70s. You were probably a disco diva or a folk singer, or simply ornamental. Radio would play only one woman per hour.

Giving people what they want isn't just good radio; it's also the right way to run a country.

Well, the big products in electronics in the '50s were radio and television. The first big computers were just beginning to come in and represented the most logical market for us to work in.

It's so amazing, standing on the corner -this happened in Washington, D.C. - and somebody comes by in a Cadillac and you hear 'Manic Monday' on the radio, and you don't even know this person, and they're listening to it and singing along with it. Wow! Blows your mind.