Prose Quotes

I've already written 300 space poems. But I look upon my ultimate form as being a poetic prose. When you read it, it appears to be prose, but within the prose you have embedded the techniques of poetry.

I'm a better polemicist in prose.

I'm a games and theory kind of guy. I love puzzles, so it was fun dissecting Shakespeare's prose.

Work on good prose has three steps: a musical stage when it is composed, an architectonic one when it is built, and a textile one when it is woven.

Always be a poet, even in prose.

A poet or prose narrator usually looks back on what he has achieved against a backdrop of the years that have passed, generally finding that some of these achievements are acceptable, while others are less so.

It is also true that one can write nothing readable unless one constantly struggles to efface one's own personality. Good prose is like a windowpane.

Strangely, Dante's Divine Comedy did not produce a prose of that creative height or it did so after centuries.

However, if a poem can be reduced to a prose sentence, there can't be much to it.

Science and art, or by the same token, poetry and prose differ from one another like a journey and an excursion. The purpose of the journey is its goal, the purpose of an excursion is the process.

For all that has been said of the love that certain natures (on shore) have professed for it, for all the celebrations it has been the object of in prose and song, the sea has never been friendly to man. At most it has been the accomplice of human restlessness.

The atmosphere of orthodoxy is always damaging to prose, and above all it is completely ruinous to the novel, the most anarchical of all forms of literature.

Romance like a ghost escapes touching; it is always where you are not, not where you are. The interview or conversation was prose at the time, but it is poetry in the memory.

Music is more emotional than prose, more revolutionary than poetry. I'm not saying I've got the answers, just a of questions that I don't hear other artists asking.

Prose talks and poetry sings.

The older I get, the more I seek to use a plain prose style, concentrating more on story.

I want the concentration and the romance, and the worlds all glued together, fused, glowing: have no time to waste any more on prose.

The newspaper is, in fact, very bad for one's prose style. That's why I gravitated towards feature stories where you get a little more leeway in the writing style.

I certainly derived my skills as a prose writer from my scrutiny of poetry and of the individual word. But schools don't do things like that anymore - tracking words down to their roots.

I spend eight months outlining and researching the novel before I begin to write a single word of the prose.

The most important tribute any human being can pay to a poem or a piece of prose he or she really loves is to learn it by heart. Not by brain, by heart; the expression is vital.

From the reader's view, a poem is more demanding than prose.

There are a lot of editorials that have nothing to do with anything like that. But I was just thinking of that sense of prose as being very responsible and perceptive, thoughtful, intimate, and contriving a quote statement.

You campaign in poetry. You govern in prose.

My early prose style - this is so embarrassing - was sort of a suburban, Presbyterian knockoff of Woody Allen.

It's true that at the time I was fond of Kurt Vonnegut and Richard Brautigan, and it was from them that I learned about this kind of simple, swift-paced style, but the main reason for the style of my first novel is that I simply did not have the time to write sustained prose.

I used to write sonnets and various things, and moved from there into writing prose, which, incidentally, is a lot more interesting than poetry, including the rhythms of prose.

Writing anything is terribly hard but, alas for me, because I am addicted, a heck of a lot of fun. I often am sorry I ever started writing prose, because it is so hard. But I can't stop.

I have always tended toward a lush prose style, but I take care to modulate it from story to story and to strip it down entirely when necessary.

Poetry seems to sink into us the way prose doesn't. I can still quote verses I learned when I was very young, but I have trouble remembering one line of a novel I just finished reading.