Presentation Quotes

As both a fine artist and a graphic designer, I specialize in the visual presentation of words.

The lavish presentation appeals to me, and I've got to convince the others.

I pitched my last children's show presentation in the mid 1980's. The era of locally produced children's shows was over and the networks were not and are not interested in children's television.

The presentation of the Golden Badge of the Movement is the highest honor the Third Reich has to offer.

Recording at home enables one to eliminate the demo stage, and the presentation stage in the studio, too.

I am still working on patter and presentation.

In my job, whenever I delivered a presentation I would rehearse several times before the actual event. In sport, it is important to be equally prepared about my opponents.

When I'm acting, I'm in a different place, singing is the last thing on my mind, and when I'm on stage, there's no acting at all involved, not even presentation, it's just who I am.

What to an outsider will be no more than the vigorous presentation of a conviction, to an employee may be the manifestation of a determination which it is not safe to thwart.

You don't normally do another presentation of All About Eve. You do one All About Eve, and that's it.

It isn't that NPR is matriarchal but that it has dedicated itself to not being patriarchal in its outlook and presentation, stipulating from the outset that its headline voices would not resound across the fruited plains from big male bags of air sent from Mount Olympus.

Rush has never been a spontaneous group. We may be spontaneous in our writing, we may be spontaneous as individuals in our day to day lives... certainly I think am and always have been, but I think when it comes to Rush and our presentation of our music it's quite controlled.

My singing wasn't horrible, but my dancing really made it look silly. It's not like I'm a horrible singer that can't sing. But I don't have the consistency or the presentation skills that a good performer has.

The first presentation of my show was given in May, 1883, at Omaha, which I had then chosen as my home. From there we made our first summer tour, visiting practically every important city in the country.

I'm into very colorful food. Obviously lots of flavor, but I think we eat with our eyes first, so it has to look great. The presentation has to be great.

I'm not talking ideas, or even presentation. It's like in politics: You have to sell something to become an electric player - like your skin or your heart.

'Shkoff' is to eat. 'Shkiaff' is to slap. Like, 'Gettouttahere I'm gonna give you a couple of shkiaffs,' or, 'Forget presentation, just shkiaff the food onto the plate.'

I suppose what's unique about our presentation is the amount of Scripture that kids get.

Because the mask is your face, the face is a mask, so I'm thinking of the face as a mask because of the way I see faces is coming from an African vision of the mask which is the thing that we carry around with us, it is our presentation, it's our front, it's our face.

You know, somebody mentioned that I was sort of a jazz-pop singer. And I'm thrilled that somebody would find that, at last, in my presentation, because it's such a part of where I live.

I try to deal with the complexities of power and social life, but as far as the visual presentation goes I purposely avoid a high degree of difficulty.

What this means is that we shouldn't abbreviate the truth but rather get a new method of presentation.

You don't know what the Chinese expect in the way of beauty. The presentation is just a farce. You come into a room filled with 50 people and they don't talk to you. There's very little interaction.

When new cooks come to work for me, they obviously make mistakes at the beginning or there's some messiness to the presentation. What I always say to them is: 'If you were cooking this for your mother or your girlfriend, would you make those mistakes?'

I think everybody's got a presentation. Everybody looks a certain way because they want to convey a certain image. You look a certain way because you want people to listen to you in a certain way.

Visual presentation of our heritage in glass is needed.

Naturally, the reader has access only to the events I show and the way I show them, but as has been said, there's generally a good deal of ambiguity in that presentation.

I think in the end there are only 20 or 30 tenets of basic cooking. It's going at perhaps the same issue from different angles, from different points of view, from different presentation styles, that really makes things sink in and become embedded.

I think generally playing live is a crap idea. So much of stage work is the presentation of personality, and I've never been interested in that.

I have always made an effort to render every detail of my reality with the greatest accuracy; but I have never paid attention to whether my presentation of historical facts was an exact one.