Novel Quotes

I seem to produce a novel approximately once every three years.

Any fool can write a novel but it takes real genius to sell it.

I've had some tremendous adventures, good and bad. It's part of the novel, and a novel isn't interesting if it doesn't have some good and bad. And you don't know what good is if bad hasn't been a part of your life.

The novel is about five students of classics who are studying with a classics professor, and they take the ideas of the things that they're learning from him a bit too seriously, with terrible consequences.

Being a novelist and being a mother have exactly coincided in my life: the call from my agent saying that I had a contract for my first novel - that was on my answering phone message when I got back from the hospital with my first child.

Perhaps, more importantly, I think that most human beings realise only a fraction of the true potential of their minds, so the spiritual or mystical, the things which remain mysterious or unexplained have always drawn me to include them in any scheme for a novel.

And the nice thing about writing a novel is you take your time, you sit with the character sometimes nine years, you look very deeply at a situation, unlike in real life when we just kind of snap something out.

What I want is to respond to the challenge posed by the mass media - to permit the novel to say what can only be said by narrative - to allow it to be itself.

So, I guess the answer to your question is very few people can bring off a novel of the future because it's just so damn hard to make it look like the future.

If a theme or idea is too near the surface, the novel becomes simply a tract illustrating an idea.

Good fiction must be entertaining, but what makes fiction special - and True - is that the realness of a novel allows it to carry a larger message.

Sir Walter, with his 61 years of life, although he never wrote a novel until he was over 40, had, fortunately for the world, a longer working career than most of his brethren.

Writing a story or a novel is one way of discovering sequence in experience, of stumbling upon cause and effect in the happenings of a writer's own life.

The person, be it gentleman or lady, who has not pleasure in a good novel, must be intolerably stupid.

Among the many problems which beset the novelist, not the least weighty is the choice of the moment at which to begin his novel.

Narrative art, the novel, from Murasaki to Proust, has produced great works of poetry.

I think I got spoiled and that writing a short story and getting it published, or writing a novel and getting it published, you pretty much get to do the first, second and third draft yourself without a whole lot of interference.

If you don't like my book, write your own. If you don't think you can write a novel, that ought to tell you something. If you think you can, do. No excuses. If you still don't like my novels, find a book you do like.

It's hard being a hostage in somebody else's mouth - or a character in somebody else's novel.

In the case of my book, I don't think it's really the coming-out gay novel that everyone really needed, even though it was received as such. The boy is too creepy, he betrays his teacher, the only adult man with whom he's enjoyed a sexual experience, etc.

Since I have come to America, I am often asked whether my next novel will be set in America. I don't think it will. I think I will be living in America for some time to come, but while living in America, I would like to write about Japanese society from the outside.

Whenever I start a novel, I'm always looking for two things: a bit of science that makes me go 'what if?' and a piece of history that ends in a question mark.

When I'm working on a novel, I work 70-hour weeks.

Short-story writing requires an exquisite sense of balance. Novelists, frankly, can get away with more. A novel can have a dull spot or two, because the reader has made a different commitment.

Jacques Derrida is a very important thinker and philosopher who has made serious contributions to both philosophy and literary criticism. Roland Barthes is the one I feel most affinity for, and Michel Foucault, well, his writing influenced my novel, 'Middlesex.'

A screenplay is not a finished product; a novel is. A screenplay is a blueprint for something - for a building that will most likely never be built.

The most difficult novel I have had to write in terms of just getting it done was The Vampire Lestat. It took a year to write.

The film of tomorrow appears to me as even more personal than an individual and autobiographical novel, like a confession, or a diary.

I regard this novel as a work without redeeming social value, unless it can be recycled as a cardboard box.

Only in a novel are all things given full play.