Musicians Quotes

Even though it's become a really cliched thing to see musicians working for charity, it's still effective and it still has to be done.

One of the things that's influenced me musically was my experience at Brown University. I was surrounded by musicians that I really admired, and felt challenged to come up with music, lyrics, and recordings that stood up to the expectations of those musicians and myself.

Well, in Japan, I have got a group of musicians that I have worked with a lot, that concentrate just on the hardcore stuff, say, that Naked City has been working on. We have like a repertoire of sixty songs now.

Reps once took chances on art, History's most treasured musicians were believed in and cultivated to reach their potential. Today, it would be difficult for those musicians to get deals.

The musicians one day are going to listen to me.

I did a concert... in September with the Berlin Philharmonic... They're great musicians, and there's always something to learn from them.

At the art college in Edinburgh someone arranged for some London groups to come up and play. I was in a supporting band, with Bernie Green I think. Derek Bailey was one of the visiting musicians. He seemed to like my playing and asked me to come down to London.

I am constantly being told that I have been a big influence for many people, including other musicians.

It's the duty of all novelists, all painters, all musicians, all people who try to make art move: to look for something they feel authentically, without paying attention to styles.

Publishing the lyric books, poetry or comics of other musicians I know. That's the thing I really want to break into!

It was by listening to Goodman's band, that I began to notice the guitarist Charlie Christian, who was one of the first musicians to play solos in a big band set-up.

Ideally, musicians belong outside the Establishment. When they cross that line, it's like something in them has died.

The great thing about being the son of Maya Angelou is that I had the good fortune to grow up around some of the greatest black artists, dancers, singers, musicians, and actors of our time.

We're not spokespeople, we're musicians.

I was lucky enough to first meet Elvis at his house in Bel Air and he used to invite different artists, singers and musicians, to come and jam with him at his house.

I think the best thing an artist can do is not hang out with other artists. I really dislike hanging out with musicians, for the most part, except for a few select friends, because I don't like to talk about music all the time.

I'm the perfect amount of guarded. I don't reveal too much, and I never reveal who the songs are about. They are real life. People get that. I date a lot of musicians and they do the same thing. People that work with me - who I write about too - they get it. It's my creative outlet, my therapy.

I am constantly being told that I have been a big influence for many people, including other musicians.

Musicians are so well covered in the press, it would be great to see more outspoken practitioners of green life.

I was able to work with the best musicians in Kansas City starting when I was really young.

When it comes to musicians, I'm like the daddy of musicians here in Cuba.

Yes, but the great thing about all the people - and I don't think there is any exception - who I've worked with is they've all been very, very talented musicians.

It's always great playing with other musicians. It's also a great situation where I'm the older guy, I've influenced generations of guitar players.

But an innovation, to grow organically from within, has to be based on an intact tradition, so our idea is to bring together musicians who represent all these traditions, in workshops, festivals, and concerts, to see how we can connect with each other in music.

My parents were opera singers and voice teachers, so growing up, I admired musicians and dancers.

I think the future looks great for music, musicians, bass players, and all we love about music.

The magic of playing has to do with how much everyone wants it to succeed. If you have five players in a situation where the music is being improvised and one is determined it is not going to succeed, it won't succeed even if one of the musicians takes control.

In a jazz atmosphere, the audience members were so quiet and respectful of the musicians that you felt you were almost part of a meeting at a church or a temple, where everyone was completely in tune with the sermon and what the whole event was about.

It was physically difficult, adjusting to wheelchair life, but I remember a great relief and happiness that I was finally getting somewhere, finding musicians to work with that were sympathetic.

The lion's share of what I hear right now are people who, intentional or accidental, have avoided all jazz prior to 1960. And all the musicians who were successful in the '60s spent their entire lives, prior to 1960, listening to all the musicians these people avoid.