Musical Quotes

I was a ballet dancer and that kind of bled into musical theater. I was constantly in rehearsal for one thing or another.

I'm naturally going to react to that and he'll bring out elements in my musical character that were lying dormant, because I'm relating what he's playing.

Jazz vision is a wordless conversation between musical notes and visual expressions.

I like to say, jazz music is kind of like my musical equivalent of comfort food. You know, it's always where I go back to when I just want to feel sort of grounded.

I actually may do a musical next year... not one that I've written; one that I may star in. Plus my concert and other people's work and all of a sudden you've got a very full life.

I'm asthmatic. I was a lot bigger back then, and I still get winded on stage today. But I've learned how to pace it now. I have musical breaks in there.

No, I like being a role model because I know how much comfort my musical idols brought me.

Yeah, well I've always played comedy. My background is musical comedy theatre and that's really where my training is. As an actor, that's my training.

When I use the Internet, it's pretty much strictly for music. Checking out other people's web sites, what's going on, listening to music. It's pretty much a musical thing for me.

My true function within a society which embraces all of us is to continue an age-old tradition. This tradition is to create images from the depths of the imagination and to give them form, whether visual, intellectual or musical.

Musical types tend to combine the burden of the author with the burden of the actor.

I mean, I think I liked every band I ever played in because each band was different, each band had a different concept, and each band leader was different... different personalities and musical tastes.

High School Musical has been a blessing and a gift.

I told her it was a bigger than life musical, that all the actors were going to be about the same age, late twenties into thirties. It would be a style; a kind of surreal high school.

I frequently compose out the entire metric structure of a piece in modified cyclic form, where each cyclic revolution undergoes some form of 'variation' much as if measure lengths were concrete musical 'material.'

Most people are fascinated to see someone play an instrument in an inspired way. We are moved by witnessing musical brilliance, and it was this notion that led me to purchase the GuitarTV domain 10 years ago.

Composers love to write for symphony orchestras because the symphony is the Rolls Royce of musical instruments.

But I love how people who are musical, they know how to dress.

Tina Fey and I have 15 things in development: 'Laverne and Shirley', 'Starsky and Hutch 3', 'Cagney and Lacey', 'Wonder Twins Activate From Two Hot Broads', 'Little House on the Prairie: The Musical: The Movie'.

I've been doing musical theater since I was a kid. And look for a CD from me in the future. I want to write all the songs!

To me, music shouldn't be ego-driven. When you go out on stage and play songs, it is. But when you're sitting in a room, writing songs, it's a completely different process. It's a completely different place. It's a creative place, a musical place. It has nothing to do with who likes what.

I've seen the Mass For The End Of Time in concert but my brother's the more musical one really.

My operas usually come from musical ideas rather than ideas about subject matter.

I have a musical called Goodbye and Good Luck, based on a Grace Paley short story. I also have King Island Christmas, and there are 20 different productions of it this year.

My first encounter with a Kelly was not on a musical scale. It was from primary school. Dave and I went to primary school together and we were like boy scouts.

Both parents were very encouraging - especially my father. My father thought the sun rose and set with me. Neither one had a musical background or any musical talent. They liked classical music, but neither could carry a tune.

What a thrill it was to play opposite Maurice Evans in this brilliant, dazzling musical, based on the life of two of the greatest personalities in stage history.

Ireland, Italy and Brazil are the most musical places for me. They're extremely musical cultures and anything you pitch they basically catch.

Going through this musical experience really helped us to understand the core of the film.

We all love musical architecture; there's no doubt about that.