Films Quotes

TV is sort of the only way to go for an actress my age to make a decent salary; with independent films, you just can't.

In truth, making films doesn't feel like hard work because I always have such a good time doing it.

I didn't hang around films. I don't know if I'd ever seen Hitchcock's The Lady Vanishes.

We met and married when both of us knew exactly what our jobs were. He was only 32, but he'd been all over the place. I'd been working on films and television shows all over the world.

Hollywood usually doesn't have strong woman in films like that, and it's stupid, so for the most part they're usually being directed and written by men.

In films, the fact that you can always do a scene again takes a load off your mind, enabling you to strive for perfection, which I always wanted.

I guess in the independent market, I'd be getting offers, but in terms of big studio films, I still have to audition. I don't think my name is that well-known, I don't have much of a following to guarantee box office success yet.

Television has dried up for my generation, so it's plays and films.

Other times you can get showy for three minutes, and that's OK with certain films. But that isn't right with an Ang Lee movie, you have to fit right in. You have to understand Ang, respect him and be part of the team and not be in charge of it - he is in charge of it.

In most films - especially in regards to the protagonist - really from the get-go they set up some scenario that endears that character to the audience. Or imbues him with some nobility or heroism or something.

Maybe I've got to admit that what I did here was enough. I can make some more films. Maybe I'll direct a film. Maybe I'll have my musical put on stage. But nothing, really, to be absolutely honest, competes with making a very successful pop band for 10 years of my life.

I can think of films that I'm producing right now that are extremely hard-hitting, graphic films, that nobody necessarily wants to see, graphic in terms of violence, of adult content and racial and historical subject matter.

My films do have characters who have trouble escaping the world around them.

I did 125 films, and over 100 television shows, and you've never seen the same character twice.

Films are always pretentious. There's nothing more pretentious than a filmmaker.

Well just meeting J. K. Rowling was amazing because she created all this world. And all the fans, we all get so obsessed with it and then you met the one person who made it all up. It was just so amazing. And I was just so amazed that that she wrote this book and all of the films have happened.

I became alienated from this religious upbringing, and started making music. I wanted to be a big star. All those things I saw in the films and on the media took hold of me, and perhaps I thought this was my god: the goal of making money.

I love films for the fact that it is like working under a microscope. It is sort of like a laboratory.

I say have the night and give people the awards, but why do people want to watch people win awards? What are they getting out of it? I don't quite get it. Because they have awards all the time; there's awards for butchers, the best meat served, but they don't televise it. I don't know why they do it for films or TV programs.

I only work every couple of years. I go into retirement between films.

Movies are very hard to make, to get it all to come together. So many people have their say in what the end product of films are.

I don't think American independent films have ever really been particularly experimental, except for the original guys from the '60s who were huge influences, like Stan Brakhage, Robert Breer, and Stan van der Beek. They were the true independents.

There are lots of great movies coming out of the U.S. but it's not something I've ever really been interested in. They're great films but I much prefer the smaller independent films, which are more thought provoking and experimental.

When I was a kid, I thought movie stars were women and men who were in these great films that we still look at now. But I don't think there are too many films coming out these days that we're going to look at in the future and say, 'This is one of the great ones.'

So that, to me, is important that audiences are treated with an amount of respect toward their intelligence. Most Hollywood films don't respect their intelligence.

When we started in the early '60s, football had a little bit of a tradition. But, they didn't have a mythology. And NFL Films, through our music and our scripts and our photography, created a mythology for the sport.

Music is the subliminal connecting adhesive in film, or at least in narrative feature films.

Kissing in films, it's just another thing you have to do. It kind of becomes as technical as how to open a door, really.

I don't think I'm the world's most die-hard sci-fi fan, but I definitely grew up watching 'Star Trek' religiously - all of them: the original, 'Next Generation,' 'Deep Space Nine,' 'Voyager.' I think sci-fi has an important place in the cinema world. Fantasy is a big part of why films actually exist.

I have as much artistic freedom in my television work as I have in my films.