Drawings Quotes

Something about glamour interested me. All my schoolbooks had drawings of women on terraces with a cocktail and a cigarette.

As a child. I grew up on a small farm, so I did a lot of drawings of animals, chickens and people. At the bottom of every page, I'd put a strange scribble. I was emulating adult handwriting, though I didn't actually know how to write.

Those early sketches looked too cartoony; I really wanted to do detailed drawings - I was taking anatomy classes - but unfortunately I wasn't able to do it because of the time element.

Drawings help people to work out intricate relationships between parts.

And for every project, because it takes years, you can see the early drawings and collages as just a simple, vague idea, and through the years and through the negotiations of getting the permit, you see that every detail is now clarified.

As my early drawings warned me, where humans go, lions and tidal waves follow.

I started my own magazine with drawings, commentary, news, film reviews and drawings.

Where as in animation you have to kind of do a series of drawings in between to complete the movement.

Just as the development of earth art and installation art stemmed from the idea of taking art out of the galleries, the basis of my involvement with public art is a continuation of wall drawings.

But the drawings are not created only to be sold.

We tell them that we believe it will be beautiful because that is our specialty, we only create joy and beauty. We have never done a sad work. Through the drawings, we hope a majority will be able to visualize it.

I do not deny that I have made drawings and watercolors of an erotic nature. But they are always works of art. Are there no artists who have done erotic pictures?

I have made it a rule for a long time, not to part with the copyright of my drawings, for I have been so copied, my drawings reproduced and sold for advertisements and done in ways I hate.

I love drawings, so I've always enjoyed making drawings that exist on their own.

Imagine my surprise when, after a lifetime of teaching me to keep personal things to myself, Mom insisted my drawings were the start of a comic strip for millions of people to enjoy.

The pleasures of the imagination are as it were only drawings and models which are played with by poor people who cannot afford the real thing.

My work is so unorthodox that from one panel to the next, the drawings are completely different... totally opposed to the way of working in something like animation, where every drawing has to look like the one before.

Then one day I thought it would be wonderful to make a whole book, to make my text and my drawings together, and that's how I started doing children's books.

One of the reasons why you like to do your own drawings is, your style changes over time. And there's something about that that keeps it fresh to the viewer.

Jerry and I always felt that the character was enjoying himself. He was having fun: he wasn't taking himself seriously. It was always a lark for him, as you can see in my early drawings.

Playing acoustic and line drawings are the two things I'm most competent at.

The war was a mirror; it reflected man's every virtue and every vice, and if you looked closely, like an artist at his drawings, it showed up both with unusual clarity.

The thing that makes me happiest about Simpsons Illustrated are all the drawings that we get from readers. I wish we could print them all. They're really imaginative. They show a lot of hard work.

I just recently did a film with Disney, and they put the drawings straight on the computer. And it's all painted on the computer now and not by hand anymore.

Creeds made in Dark Ages are like drawings made in dark rooms.

If you start with character, you probably will end up with good drawings.

We don't sell technical drawings except when they are incorporated into a drawing or a collage.

That Moorish architecture is all over the place, of course. It affects me everywhere I see it, as it does so many people. But Brand Library was a special place to me, and I know I've paid homage to it many times in my drawings.

Doing fashion drawings was the only way I had to express myself when I was a teenager.

When drawings of the main buildings I have designed in the last five years are juxtaposed, the fact that they all involve the pursuit of certain configurations is obvious to anyone.