Doing Quotes

I've an idea for doing a Situation Comedy myself but its always difficult to get people to listen to you because they like to put their own ideas forward.

I'd like to come back because I really miss doing situation comedy.

I'm glad you asked that question, because of any musical situation I've been in, the communication feels great here with Russell. He really pays close attention to what I'm doing because he cares.

It's something I've always loved doing. I'm not one of the artists who comes in and just does my bit. I'm there every second of every day. That's my hands-on situation.

Professionally, I remember Cronkite as a kid growing up, and more so for me, the importance of Cronkite was not him sitting there at the anchor desk, but him out there doing things.

I loved doing sitcoms.

I just love doing sitcoms. I'd be in them till I was gray if they'd have me.

Doing a sitcom is like doing a play - you rehearse for three or four days, and then you shoot what you rehearsed on Friday night in front of an audience. An hour-long drama is like shooting a movie. You're shooting 13-14 hour days. The endurance itself is different.

I have a lot of memories, but I don't go into capitalizing on that. Something's got to be my own. I'm not doing the record to sit here and broadcast my memories of my father.

We were playing popular music, but we were doing our own arrangements because we were too lazy to sit down and figure out the originals.

I can't sit around doing nothing. If I'm not working, I have a habit of becoming rather insular.

We don't know what we're doing. We don't have a plan. We don't sit down and calculate it.

My career has always revolved around what I do and don't want my sisters and brothers seeing me doing.

Even Michelangelo got paid for doing the Sistine Chapel. To those artists who say they're doing it for the love of art, I say: Get real.

I always thought I was a little shy, especially compared to my brother and my sister, but I guess I was always the kid doing performances in the front room.

Let us begin by doing our best to do our best, every single time, no matter what, forever.

To create and distribute a free encyclopedia of the highest possible quality to every single person on the planet in their own language - That's who I am. That's what I am doing. That's my life goal.

While port security remains one of our single greatest vulnerabilities, it makes little sense to give operational control of our ports to a foreign nation without first doing proper investigations.

It's very different doing a food show in America and doing one in Britain. I did a 20-part series for the BBC series called 'Eating With the Enemy.' The budget for all 20 episodes was probably the budget for a single episode of 'Top Chef.' It's the difference between making a home movie in your backyard and going to Hollywood.

The same stimuli in the world can be inducing very different experiences internally and it's probably based on a single change in a gene. What I am doing is pulling the gene forward and imaging and doing behavioural tests to understand what that difference is and how reality can be constructed so differently.

Freedom is about a way of thinking. Freedom is about understanding that you can do anything that you want and freedom is about being able to take information and education and make it relevant to your own growth every single day. Freedom is not staying in the box. Freedom is not doing what other people want you to do.

I don't see a benefit in accepting every single little morsel of work that comes along because I think in essence what you're doing is you're raping yourself really.

I mean, if you asked me what I'm going to be doing when I'm 85, I'd make a quick picture in my mind and, well, I'll be singing.

I have to own something before I can say it, and I have to own it before I can sing it as well, emotionally. I only enjoy acting and singing if I am believing what I am doing.

There is nothing more boring than doing singing exercises.

When I started really singing I was 17, 18 years old. I used to go around trying to be a singer in the Bronx. My knees would shake but I learned by doing.

An album is such a personal thing. It's something I always wanted to do. It's me doing me, singing as me.

I was not able to understand how it could be right to pay an actor, or a singer, or an instrumentalist for entertaining the public and wrong to pay a ball player for doing exactly the same thing.

I sing and play guitar and harmonica. I've been doing it for a long time.

I think foreign countries really do like it when American artists sing in their language. And when you go over there and say, 'Hi, how are you?' in their language, they love it. It makes them feel like you're doing it just for them. We in America take so much for granted.