Audience Quotes

With my plays, when the lights go down, at least the audience isn't thinking, 'Oh, God, two more hours of this.'

I'm not subject to their rise and fall because I'm not accepted by them, so I have my own little curve going on. A lot of it is because of how much I play, I think I connect like when all you had was Vaudeville, I think I have an audience by performing a lot!

You can't do psychological thrillers. There's no audience. I've heard this. I've heard this from studios.

I was very excited about the idea that I could be an idealist, that I could be my age, the eager beaver who had hope in the justice system and the one who gets disappointed just like the audience.

I think the more the actor lets you know what he thinks of the character, the less the audience cares - like a comedian who laughs at his own jokes.

People are out of their home on a Saturday night or they're at the movies or they're at dinner and a lot of the people who flip on the television are doing just that. They may have never seen your show before and you can't count on to your audience to be there week in and week out.

When your life is as precious as all our lives are, then it needs to be kept precious and looked after and treated well. And that is not something we should be sharing with a wider audience.

I look forward to having the time and the opportunity to take on new challenges, but I'm also aware that I've loved every minute of the 'Potter 'experience: to make films for an enthusiastic audience and work with great material.

What looks absolutely fabulous in rehearsal can fall flat in front of an audience. The audience dictates what you do or don't change.

I used to first go on to entertain an audience. But now I go, and this is really true - I go on to have fun with a crowd of my chums.

The relation between a poet and audience is really insignificant. What matters is the poet is hearing something that he is broadcasting. And whether there is anybody with a receiver isn't the reason he does it. He hopes there is somebody receiving it.

I pray to be of service to the playwright, the audience, the other actors and my character.

Just a whole different style, just a whole different way of going about an audience and a way about skating. And they are so brilliant in their own way, which is great, and that's what Brian was saying; is the styles are different, and it's the whole mentality.

If the audience is made to do not enough work, they resent it without knowing it. Too much and they get lost. There's a perfect pace to be found. And a perfect place that is different for every line of the play.

You can make movies for a select audience, but you have to market it to them.You can make movies for a select audience, but you have to market it to them.

The bulk of my set is instrumental and you have to give yourself and the audience some relief because a performance is not about great guitar playing it's really about entertainment.

You as an audience can look at these things as films, but I remember them as social experiences.

I believe in things that move people, if the audience isn't deeply caught up and moved to either laughter or tears then I don't think it is theater.

I'm always aware of the camera and it feels like that's the audience.

When you work with a legend as I do, it's wonderful. There's so many things I've learned working with Keith. He's so patient, not only with me, but with everyone in our crew and with the audience and with the game. He has a style that is so easy and will never be copied.

My audience is the baby-boomers, the bulk of the population. This is also a group that is being ignored by most record companies because they're not the Top 40 hit singles market. They forget these people still listen to music.

It is not whether you really cry. It's whether the audience thinks you are crying.

If you start to just aim for what the audience wants to hear, you're already hamstrung because you don't have any freedom.

The audience likes their emotions to be touched. They want to laugh and cry and feel good.

Seems like it's going to be really hard to make money at it, and, therefore, really hard to get any great games done. Much like Flash games, the audience is huge, but the content isn't likely to be good enough to have people pay for it.

An audience is never wrong. An individual member of it may be an imbecile, but a thousand imbeciles together in the dark - that is critical genius.

Whereas with foreign coverage there's a much broader disconnect between you and your audience.

I'll get to the force field of this hostility, why it's there, why the rage is in any of us, why the trash takes place, whether or not it's between me and a couple of hecklers in the audience or between this country and another nation, the rage.

The audience plays a huge part in how a piece will actually form. They really allow the performers to walk a tightrope in a way that never seems to happen in the privacy of your own four walls. I'm listening to the audience, and they're listening to me.

I'm always trying to bring unusual content to a different audience - a non-art-world audience.