Audience Quotes

Harry Collins was the first magician I ever saw back in 1965 when I was five years old. He was doing a magic show and I was the volunteer from the audience.

Films for TV have to be much closer to the book, mainly because the objective with a TV movie that translates literature is to get the audience, after seeing this version, to pick up the book and read it themselves. My attitude is that TV can never really be any form of art, because it serves audience expectations.

There has been only a civil rights movement, whose tone of voice was adapted to an audience of liberal whites.

The support that we have from the network in terms of watching us at an unusual time in the year and playing our episodes three times in a given week until we built an audience... is exceptional.

Postmodernism cost literature its audience.

Often when you get a really good script, and you receive the new pages, you see that the entire thing has been dumbed down. Films in the '30s and '40s, that were huge blockbusters, were very sophisticated in their language, and the ideas they brought. There were no questions about whether the audience would get it or not.

You think you have some stable talent that will show no matter what you're writing, and if it doesn't seem to be getting across to the audience once, you can't imagine that moment when it suddenly will. Gradually, gradually you gain that confidence.

I have spoken to expert audiences occasionally, but then no audience is expert over the whole range of things I want to explore.

When I stopped touring in the early '80s for a few years, it was a mistake looking back. I lost touch with my audience in a way and I think that was a bad career move.

Few speeches which have produced an electrical effect on an audience can bear the colourless photography of a printed record.

As I told you, from the time I was fifteen, I thought the theater was too much involved with actors trying to make the audience love them, being over emotional.

You have to be willing to deal with the ups and downs of the music, the ups and downs of the audience.

God is a comedian, playing to an audience too afraid to laugh.

I love talking to the audience, and I must be the luckiest performer in the world. I always land something or somebody that just takes off.

If you can handle a nightclub audience successfully, you can handle anything.

They look so expectant, and then they look so depressed... that was the other great lesson that The Royal Hunt of the Sun taught me, it was the profundity that masked drama can achieve, that of course, the audience were not seeing masks moving at all.

Every time I reach a new audience, that means I'm doing something right.

I hope they get something of interest out of it, but I'd rather they all hate it and I like it, instead of vice versa... I make films to please myself first, and if the audience likes them, all the better.

Musicals are, by nature, theatrical, meaning poetic, meaning having to move the audience's imagination and create a suspension of disbelief, by which I mean there's no fourth wall.

Every time I go to the theater, there's something about the atmosphere, seeing something unfold live in front of an audience, that you can't get out of your system.

Obviously, I try to make the films work for an audience. That's the main point of making a film, and in retrospect, one can see that certain films, let's say Leaving Las Vegas, demonstrated its own success.

Anytime you get an audience that's paying attention, you enjoy it more.

Once a president gets to the White House, the only audience that is left that really matters is history.

I want to photograph what I see and put it in a dramatic context. I'm an actor and a writer, and I want to tell these stories and present these shapes, colors and movements as I see them, as I see them serve a narrative. As I see that narrative serve an audience. That's what I want to do.

I don't want to be above my audience; I want to be one with my audience.

The Company of Wolves doesn't belong in any category, so it's difficult to prepare an audience for it. It's not a horror film, it's not a fantasy film, it's not a children's film - so what is it?

When I sing, I pick out people in the audience and pinpoint on them. So if you feel that I am singing just for you, you may be right!

You know, radio was a really easy way to do the shows. You'd come in, do a read-through, there'd be a few rehearsals, then you'd come the night of the show and do it in front of the audience and then go home.

The mainstream media today has the biggest disconnect with its audience that it's ever, ever had. And as the disconnect grows and as more and more people distrust them, then the media digs in more and more and says you don't know what you're talking about, you don't know how we do our jobs, you don't know what's important.

I've always been switching around the show to accommodate the audience, and you know it really makes it a lot more fun for me and keeps it fresh so that I'm not complacent with the same show every night and with every audience.