Quotes By Robert Wyatt

There are people I would like to work with. It's a bit harder, because I live out in the sticks anyway, and plus being in a wheelchair means that I can't really circulate. So I tend to stick to my own thing.

This constant pressure from record companies to come up with a hit single or something like that, I find completely tiresome.

In the past, so many of my records, really, have been sketches for records that never really got made.

If you've never felt that you quite got a hold of it, you just feel that before you die, you've got to try and get it right once. And hope that the experience you have makes up for the some of the diminishing energy.

I find it hard to take rock groups very seriously or treat them with respect. There is something absurd about these gloomy young men getting together and banging away.

I only choose musicians who I think will emerge, can emerge, with their own character, while still going along with the tune in question.

When I lost the use of my hi-hat and bass drum legs, I became basically a singer. I was a drummer who did a bit of singing, and then I became a singer who did a bit of percussion.

In theory, I'd like to work in a group. But the group I'd like to work in, all the musicians in them are long since dead.

I play music a lot but on my own mostly, so it was nice to be around other people. There was a certain sense a relief in the physical act of just playing and being with other musicians.

My heroes are people like Picasso and Miro and people who at last really reach something in their old age, which they absolutely couldn't ever have done in their youth.

What keeps me going is a constant sense of disappointment with what I've already done.

I would like to think that the singer is the butterfly, and the drummer was just the little grub in the ground, working to become a caterpillar.

When I'm singing I try not be a singer with a capital S. I just try to get it out so I feel comfortable with it.

I'm not full of malice, but I do dislike Neil Diamond a lot, and I'm sorry that I've done a Neil Diamond song.

It was physically difficult, adjusting to wheelchair life, but I remember a great relief and happiness that I was finally getting somewhere, finding musicians to work with that were sympathetic.

There's no field of music which doesn't have good ideas.

There are singers that I have enjoyed, from Nina Simone and Ray Charles onward. But the music that made music the number one thing for me as a youth was jazz.

I have never felt in tune with the whole rock industry.

The most effective instruments do have a vocal quality.

I really liked them, not just Syd, but all of them. Roger was very important, I thought, his contribution. And so was Rick's organ playing. It was a good band. It became something else completely, obviously.

I'm not, by nature, a collaborator. My biggest influences were people like painters and poets. These are solitary workers.

It just doesn't mean anything to me, the high-profile, big money side of things. I just want enough to live on, and to be able to get on with what I do, and hang around my friends.

I don't find the business easy. The moment you start talking about the business, you start sounding like someone in Spinal Tap.

I find writing songs hard, because it does not come naturally to me. I never set out to be a songwriter or a singer.

Anybody who thinks pop music's easy should try to make a pop single and find out that it isn't.

Even if you're specific about the character of the song, it's more exciting to place them, juxtapose them in such a way as to make an adventure out of the sequence of the songs.

We did not get any money from the early records. It was all taken by crooked managers. It is just a gangster's paradise.

Being big and famous doesn't get you more freedom, it gets you less.

The things that I draw on, and the world that I feel part of, aren't particularly youth culture.

On the whole, I tend not to listen to my peers.