Quotes By Andrew Motion

Well, it's a badge of honour for any self-respecting poet to be criticized by Auberon Waugh. But in a lot of ways my poems are very conventional, and it's no big deal for me to write a poem in either free verse or strict form; modern poets can, and do, do both.

When you're being looked at very hard, it's very hard to look back. And that made me stop paying attention to the world in a way that allowed me then to write about it.

I'm also a great believer in the dream life; that while we're asleep, a deep subconscious connection is made about our profoundest fears, hopes, loves, losses, dreads and desires.

In a general way, I want to be a kind of flag-waver, bunting hanger-up, drum-beater, you name it, for poetry.

Like a lot of people, for a long time I thought that the road to hell is paved with bad sequels.

I deeply adored my mum. She was an extraordinary person, even for the prejudice I'm likely to have. She was beautiful, amusing, a tremendous elaborator of things into comic proportions and extravagant in her imagination.

I want to write poems which are very emotional, but I would have some hesitation in saying I want to write poems which are sentimental.

But Wordsworth is the poet I admire above all others.

When Keats says: 'Axioms in philosophy are not axioms until they are proved upon our pulses', what he means is that we don't necessarily believe what a poem is saying if it comes out and tells us in an absolutely head-on, in-your-face way; we only believe it to be true if we feel it to be true.

I'm not precisely saying that a really good board meeting at the MLA (Museums, Libraries and Archives Coucil) makes me want to go and write poetry, but there is a pleasure in doing that sort of thing well.

I'm an early bird, partly because I like to have some quiet time and partly because by 9am emails begin arriving, the phone starts ringing and I have dragons to kill of one sort or another.

If I were to die thinking that I'd written three poems that people might read after me, I would feel that I hadn't lived in vain. Great poets might expect the whole body of their work, but most of us - well, I would settle for a handful.

I wish I'd been better able to resist the sense of obligation to write some of the poems I did. It's in the nature of commissioned work to be written too much from the side of your mind that knows what it's doing, which dries up the poetry.

I get up at 5.30am, sluice myself and have two Weetabix and some mint tea, before starting to write by 6am.